| Photos (See all 44 | slideshow) | Videos (see all 9) |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Daphne Du Maurier | (story) | |
| Evan Hunter | (screenplay) | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| George Tomasini | |||
Production Design by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Set Decoration by | |||
| George Milo | |||
Makeup Department | |||
| Virginia Darcy | .... | hair stylist | |
| Howard Smit | .... | makeup artist | |
Production Management | |||
| Norman Deming | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James H. Brown | .... | assistant director | |
Art Department | |||
| Harold Michelson | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Remi Gassmann | .... | electronic sound production and composition | |
| Bernard Herrmann | .... | sound consultant | |
| William Russell | .... | sound recordist | |
| Oskar Sala | .... | electronic sound production and composition | |
| Waldon O. Watson | .... | sound recordist | |
| Bernard Herrmann | .... | sound designer (uncredited) | |
| James V. Swartz | .... | sound (uncredited) | |
Special Effects by | |||
| Larry Hampton | .... | special effects (as Lawrence A. Hampton) | |
| Dave Fleischer | .... | special effects (uncredited) | |
| Chuck Gaspar | .... | special effects (uncredited) | |
| Don Wolz | .... | special effects (uncredited) | |
Visual Effects by | |||
| Ub Iwerks | .... | special photographic advisor | |
| Albert Whitlock | .... | pictorial designs | |
| Bob Broughton | .... | visual effects (uncredited) | |
| Scott Dougherty | .... | digital restoration producer: Cinesite (uncredited) | |
| Roswell A. Hoffmann | .... | second unit matte photography (uncredited) | |
| Jerry Pooler | .... | digital restoration supervisor (uncredited) | |
| Tiffany Smith | .... | digital restoration coordinator: Cinesite (uncredited) | |
Stunts | |||
| Leonard P. Geer | .... | stunts (uncredited) | |
| Sol Gorss | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bobby Greene | .... | first assistant camera (uncredited) | |
| Leonard J. South | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Edith Head | .... | costume designer: Miss Hedren | |
| Rita Riggs | .... | wardrobe supervisor | |
Editorial Department | |||
| Bud Hoffman | .... | assistant editor (uncredited) | |
Other crew | |||
| Ray Berwick | .... | trainer of the birds | |
| James S. Pollak | .... | titles | |
| Peggy Robertson | .... | assistant: Mr. Hitchcock | |
| Lois Thurman | .... | script supervisor | |
| John 'Bud' Cardos | .... | bird wrangler (uncredited) | |
|
|
|
|
|
| Psycho | Deep Red | Shadow of a Doubt | Mildred Pierce | A Place in the Sun |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
An old friend, the late State Senator Ted Gill, of Holyoke, Colorado, once told me that The Birds was the last movie he ever saw. He gave up movies after seeing this flick...they were just getting too weird and disturbing for an old rancher like him. It's still pretty terrifying, even if you've seen it again and again. You know what bad, brutal scenes are coming and don't want to see the carnage again, but can't help yourself. It's ominous as the crows flock tighter and tighter, always more and more, on the schoolyard Monkey-Bars and it's also exciting to see the school kids chased down by the crows a few minutes later. Subplots like the pitiful neurosis of Lydia Brenner, Mitch & Annie's lost-love-affair, Mitch's indifference to the needs of others, and the poor-little-rich-girl Melanie, who still just wants her mommie, are all well-written and acted. Loved best by me is Hitchcock's humorous characters who are CHARACTERS! The old drunk at the bar quoting Holy Scripture, the nosy neighbor done wonderfully by Richard Deacon, the dowdily-dressed old intellectual in the cafe buying her cigarettes and evidently a scientific expert for any field. Sir Alfred's macabre touches of comedy are unmatched, even in today's thrillers. I'm repulsed and attracted by such scenes as the one in the farmhouse, where Jessica Tandy discovers an old friend pecked to death, with his eye sockets bloody and empty. I find myself still searching for gory details on the farmer's body because Hitch didn't let the camera dwell on the horrible face too long. But he DID give us two rapid jump-cuts with closer and closer close-ups, and we end up seeing just as much detail as Jessica just did - enough to know that "We gotta git outta there!" Overall, a fine time. 119 minutes of revolting fun!