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The Balcony (1963) More at IMDbPro »


Overview

User Rating:
6.0/10   173 votes
MOVIEmeter: ?
Down 19% in popularity this week. See why on IMDbPro.
Director:
Writers:
Jean Genet (play)
Ben Maddow (writer)
Contact:
View company contact information for The Balcony on IMDbPro.
Release Date:
14 August 1964 (Finland) more
Genre:
Plot:
Shelley Winters is the madame of a house where customers play out their erotic fantasies, oblivious to a revolution which is sweeping the country... more | add synopsis
Awards:
Nominated for Oscar. Another 1 nomination more
NewsDesk:
This week's film events previews
 (From The Guardian - Film News. 13 November 2009, 4:06 PM, PST)

User Comments:
Surreal Power Play more (13 total)

Cast

  (Complete credited cast)

Shelley Winters ... Madame Irma

Peter Falk ... Police Chief
Lee Grant ... Carmen
Peter Brocco ... Judge
Joyce Jameson ... Penitent
Jeff Corey ... Bishop
Arnette Jens ... Horse
Ruby Dee ... Thief

Leonard Nimoy ... Roger
Kent Smith ... General
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Additional Details

Runtime:
84 min
Country:
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Sound Mix:
Certification:
Filming Locations:
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Fun Stuff

Soundtrack:
The Soldier's Tale more

FAQ

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6 out of 6 people found the following comment useful.
Surreal Power Play, 28 July 2005
10/10
Author: fourcolor from New York, United States

Directed by Joseph Strick, this 1963 movie is a heady mix of philosophy and psychology. The dialogue comes from the French playwright Jean Genet, and rises well above the literary merits of all but a few American films. Beyond its cerebral wordiness - which could well seem unintelligible, but could just as easily be found rewarding for its challenges - this film offers distinctive and remarkable observations on all manner of things, from identity & authority to violence, sex, & the will to power. The movie is largely shot in dark, eerie interiors, and it looks and feels stagebound: this is not necessarily a flaw. The stark & claustrophobic black & white frames help keep a simmering tension amid even the (darkly) humorous passages. The unconvincing "special effects", such as they are, should not be taken out of context: the occasional shots of the outside world are deliberately dreamlike & unrealistic. Redolent of the postwar avant-garde theater of Beckett and Ionescu, this is a surreal vision, and it's one worth exploring. (Shelley Winters performs a career-high bravura as the Madame, and the score is by Stravinsky.)

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