| Photos (See all 41 | slideshow) | Videos |
| Marcello Mastroianni | ... | Guido Anselmi | |
| Claudia Cardinale | ... | Claudia | |
| Anouk Aimée | ... | Luisa Anselmi (as Anouk Aimee) | |
| Sandra Milo | ... | Carla | |
| Rossella Falk | ... | Rossella | |
| Barbara Steele | ... | Gloria Morin | |
| Madeleine Lebeau | ... | Madeleine, l'attrice francese | |
| Caterina Boratto | ... | La signora misteriosa | |
| Eddra Gale | ... | La Saraghina (as Edra Gale) | |
| Guido Alberti | ... | Pace, il produttore | |
| Mario Conocchia | ... | Conocchia, il direttore di produzione | |
| Bruno Agostini | ... | Bruno - il secondo segretario di produzione | |
| Cesarino Miceli Picardi | ... | Cesarino, l'ispettore di produzione | |
| Jean Rougeul | ... | Carini, il critico cinematografico | |
| Mario Pisu | ... | Mario Mezzabotta |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb Italy section |
Swirling, kaleidoscopic rumination from Fellini. The other user comments here (as well as many professional reviews) show how difficult it is to discuss this film briefly, so I don't think I'm going to try. I would only say that, like other films that push at the boundaries of cinematic greatness--`Citizen Kane,' `Nashville,' and `Brazil' are three others that come to mind--it isn't really possible to place `8 ½' in any simple category. It is a comedy and a tragedy, a satire and a celebration, a movie about love and about the lack of it, a movie about making art and a movie about living, an autobiography and the most challenging kind of fiction, a masterpiece of style and a movie that's really about something. It's not for everyone, but it should be, and it's quite possibly the single greatest movie I have ever seen. 11 out of 10.