| Photos (See all 39 | slideshow) | Videos (see all 2) |
| Marcello Mastroianni | ... | Guido Anselmi | |
| Claudia Cardinale | ... | Claudia | |
| Anouk Aimée | ... | Luisa Anselmi (as Anouk Aimee) | |
| Sandra Milo | ... | Carla | |
| Rossella Falk | ... | Rossella | |
| Barbara Steele | ... | Gloria Morin | |
| Madeleine Lebeau | ... | Madeleine, l'attrice francese | |
| Caterina Boratto | ... | La signora misteriosa | |
| Eddra Gale | ... | La Saraghina (as Edra Gale) | |
| Guido Alberti | ... | Pace, il produttore | |
| Mario Conocchia | ... | Conocchia, il direttore di produzione | |
| Bruno Agostini | ... | Bruno - il secondo segretario di produzione | |
| Cesarino Miceli Picardi | ... | Cesarino, l'ispettore di produzione | |
| Jean Rougeul | ... | Carini, il critico cinematografico | |
| Mario Pisu | ... | Mario Mezzabotta | |
| Yvonne Casadei | ... | Jacqueline Bonbon | |
| Ian Dallas | ... | Il partner della telepata | |
| Mino Doro | ... | L'agente di Claudia | |
| Nadia Sanders | ... | Nadine, la Hostess (as Nadine Sanders) | |
| Georgia Simmons | ... | La nonna di Guido | |
| Edy Vessel | ... | L'indossatrice (as Hedy Vessel) | |
| Tito Masini | ... | Il cardinale | |
| Annie Gorassini | ... | L'amica del produttore | |
| Rossella Como | ... | Un'amica di Luisa | |
| Mark Herron | ... | Il corteggiatore di Luisa | |
| Marisa Colomber | ... | Una zia di Guido | |
| Neil Robinson | ... | L'agente dell'attrice francese | |
| Elisabetta Catalano | ... | Matilde, la sorella di Luisa | |
| Eugene Walter | ... | Il giornalista americano | |
| Hazel Rogers | ... | La negretta | |
| Gilda Dahlberg | ... | La moglie del giornalista americano | |
| Mario Tarchetti | ... | L'ufficio di stampa di Claudia | |
| Mary Indovino | ... | La telepata | |
| Frazier Rippy | ... | Il segretario laico | |
| Francesco Rigamonti | ... | Un'amico di Luisa | |
| Giulio Paradisi | ... | Un'amico | |
| Marco Gemini | ... | Guido da ragazzo | |
| Giuditta Rissone | ... | La madre di Guido | |
| Annibale Ninchi | ... | Il padre di Guido | |
| rest of cast listed alphabetically: | |||
| Antonio Acqua | ... | Bit Part (uncredited) | |
| Gideon Bachman | ... | Bit Part (uncredited) | |
| Maria Antonietta Beluzzi | ... | Bit Part (uncredited) | |
| Agnes Bonfanti | ... | Bit Part (uncredited) | |
| Deena Boyer | ... | Bit Part (uncredited) | |
| Mathilda Calnan | ... | Un'amica di Luisa (uncredited) | |
| Giulio Calì | ... | Un uomo ai fanghi (uncredited) | |
| Franco Caracciolo | ... | Young Priest (uncredited) | |
| Anna Caramini | ... | Bit Part (uncredited) | |
| Olimpia Cavalli | ... | Bit Part (uncredited) | |
| Elisabetta Cini | ... | Un cardinale (uncredited) | |
| Alfredo De Lafeld | ... | Bit Part (uncredited) | |
| Sebastiano De Leandro | ... | Bit Part (uncredited) | |
| Dina De Santis | ... | Dina, 'nipote' di Cesarino (uncredited) | |
| Edward Fleming | ... | Bit Part (uncredited) | |
| Grazia Frasnelli | ... | Bit Part (uncredited) | |
| Sonia Gessner | ... | Bit Part (uncredited) | |
| Eva Gioia | ... | Eva, 'nipote' di Cesarino (uncredited) | |
| Riccardo Guglielmi | ... | Guido da bambino (uncredited) | |
| John Karlsen | ... | L'uomo in auto (uncredited) | |
| John Francis Lane | ... | Bit Part (uncredited) | |
| Valentina Lang | ... | Bit Part (uncredited) | |
| Annarosa Lattuada | ... | Bit Part (uncredited) | |
| Palma Mangini | ... | La vecchia alla fattoria (uncredited) | |
| Roberto Nicolosi | ... | Bit Part (uncredited) | |
| Polidor | ... | Un pagliaccio (uncredited) | |
| Maria Raimondi | ... | Una zia di Guido (uncredited) | |
| Nino Rota | ... | Bit Part (uncredited) | |
| Luciana Sanseverino | ... | Bit Part (uncredited) | |
| John Stacy | ... | Il cassiere (uncredited) | |
| Maria Tedeschi | ... | La direttrice della scuola (uncredited) | |
| Flaminia Torlonia | ... | Bit Part (uncredited) | |
| Roberta Valli | ... | La ragazza alla fattoria (uncredited) | |
| Maria Wertmuller | ... | Bit Part (uncredited) | |
| Vadim Wolkowsky | ... | Bit Part (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Federico Fellini | (story) & | |
| Ennio Flaiano | (story) | |
| Ennio Flaiano | (screenplay) & | |
| Tullio Pinelli | (screenplay) & | |
| Federico Fellini | (screenplay) & | |
| Brunello Rondi | (screenplay) | |
Produced by | |||
| Angelo Rizzoli | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gianni Di Venanzo | |||
Film Editing by | |||
| Leo Cattozzo | (as Leo Catozzo) | ||
Production Design by | |||
| Piero Gherardi | |||
Art Direction by | |||
| Piero Gherardi | |||
Set Decoration by | |||
| Vito Anzalone | |||
Costume Design by | |||
| Piero Gherardi | |||
| Leonor Fini | (uncredited) | ||
Makeup Department | |||
| Otello Fava | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
Production Management | |||
| Mario Basili | .... | production manager | |
| Clemente Fracassi | .... | production manager | |
| Nello Meniconi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Francesco Aluigi | .... | assistant director | |
| Guidarino Guidi | .... | second assistant director | |
| Giulio Paradisi | .... | assistant director | |
| Alessandro von Norman | .... | assistant director (as Alessandro Norman) | |
| Lina Wertmüller | .... | third assistant director (uncredited) | |
Art Department | |||
| Luciano Ricceri | .... | assistant scenic designer | |
| Brunello Rondi | .... | artistic advisor | |
Sound Department | |||
| Alberto Bartolomei | .... | sound | |
| Mario Faraoni | .... | sound | |
Camera and Electrical Department | |||
| Pasqualino De Santis | .... | camera operator (as Pasquale De Santis) | |
Costume and Wardrobe Department | |||
| Orietta Nasalli-Rocca | .... | assistant costume designer (as Orietta Nasalli Rocca) | |
| Clara Poggi | .... | tailor | |
Editorial Department | |||
| Adriana Olasio | .... | assistant editor | |
Other crew | |||
| Mirella Gamacchio | .... | script supervisor | |
| Angelo Iacono | .... | production assistant | |
| Albino Morandini | .... | production assistant (as Albino Morandin) | |
| Mario Basili | .... | production assistant (uncredited) | |
| Mario Carotenuto | .... | voice dubbing: Mario Conocchia (uncredited) | |
| Renata Marini | .... | voice dubbing: Anouk Aimée (uncredited) | |
| Elio Pandolfi | .... | voice dubbing: Frazier Rippy (uncredited) | |
| Stefano Satta Flores | .... | voice dubbing: Guido Alberti (uncredited) | |
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Fellini's 8 1/2 opens with a stunning dream sequence in which a man is trapped in his car in the middle of a traffic jam. The doors and windows are locked and there is no escape. Other drivers simply sit and stare at him passively. The driver starts to panic as smoke begins to build up within the car. Propelling himself outside a window, he floats over the other cars and soars above the world until he is pulled down a rope attached to a tether on his ankle. The driver is Guido Anselmi (Marcello Mastroianni), a film director at odds with himself. Shot in black and white, 8 1/2 is an exhilarating, confusing, irritating, and inspired journey into a man's consciousness. It is not just a look at the inner turmoil of one person, but also a commentary on each person's struggle to make sense of their life. The film's combination of kaleidoscopic images, evocative score by Nino Rota, and amazing performances ensure its place as one of the greatest films of the century.
Guido is preparing to shoot a new film with an expensive budget. He constructs a huge spaceship launch pad that costs $80 million but he is unsure of what he wants to say. Guido's dishonesty in dealing with his marriage, his career, and the fact that he really does not want to make the film forces him to falsely mislead people as to his true intentions. He feels like a failure and is physically spent. He checks into a spa to restore his health and well being but the contingent of producers, actors, writers, and hangers on undermine his strength. His feeling of being overwhelmed by personal and professional obligations provides the catalyst for dreams and fantasies that take him back to his childhood.
Fellini shows his encounter with the prostitute Saraghina (Eddra Gale) and the guilt he has to deal with in a confrontation with the Catholic Church. Guido invites his intellectual wife Luisa (Anouk Aimée) to the set but their relationship has turned cold and passionless, and sparks fly when she has to confront Carla (Sandra Milo), his buxom mistress. Guido is misguided but he has an innocence and charm that allows us to overlook his indulgences. He enjoys his pleasures but has a conscience and feels guilty about cheating on Luisa whom he loves and is afraid of losing. He fantasizes that all of the women in his life are together in a harem where they all dote on his every whim. When they finally recognize how little he cares about them, he is forced to suppress their revolt.
As image piles on image and the fantasy becomes indistinguishable from the reality, the viewer may get lost in a maze of dazzling incoherence. Fellini, however, always returns to solid ground and the film offers not only a satire on the frenzy, the uncertainty, and the clash of egos involved with making a film but also a serious commentary on the importance of honesty in a relationship. If 8 1/2 is occasionally exhausting, the ending is invigorating, letting us know that life is a game in which each of us is on the stage performing our roles and the only sane response to its turmoil is to join hands in love and celebrate the moment.