In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with,... See full summary »
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest... See full summary »
Guy Maddin reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfills his dying mother's request to paint the lighthouse ... See full summary »
Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making. Written by
Colin Tinto <firstname.lastname@example.org>
Federico Fellini was well-known for working without a stable, finished screenplay. At one point during pre-production, he had completely forgot what his next work would have been about, his original idea had completely gone. While he was set to communicate to the movie producer Angelo Rizzoli his intention of abandoning the project, Fellini was invited to the birthday party of a head camera-operator of Cinecittà. All of a sudden, during the celebration, he got a new idea: his film would have told about a film-director who was going to direct a film, but he forgot what it was about. See more »
When Guido visits the cardinal in the mud bath, the cardinal is sitting in a chair, fully dressed in his cassock, as two attendants use a sheet to form a curtain around him; however, as the camera cuts to a closer angle, the cardinal is suddenly undressed to the waist. See more »
You came just in time. Why are you smiling? Suppose I told you... Claudia.
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Swirling, kaleidoscopic rumination from Fellini. The other user comments here (as well as many professional reviews) show how difficult it is to discuss this film briefly, so I don't think I'm going to try. I would only say that, like other films that push at the boundaries of cinematic greatness--`Citizen Kane,' `Nashville,' and `Brazil' are three others that come to mind--it isn't really possible to place `8 ½' in any simple category. It is a comedy and a tragedy, a satire and a celebration, a movie about love and about the lack of it, a movie about making art and a movie about living, an autobiography and the most challenging kind of fiction, a masterpiece of style and a movie that's really about something. It's not for everyone, but it should be, and it's quite possibly the single greatest movie I have ever seen. 11 out of 10.
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