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8½ (1963)

Not Rated | | Drama, Fantasy | 25 June 1963 (USA)
1:59 | Trailer

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A harried movie director retreats into his memories and fantasies.



(story), (story) | 4 more credits »
3,465 ( 195)
Top Rated Movies #214 | Won 2 Oscars. Another 16 wins & 8 nominations. See more awards »



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Cast overview, first billed only:
Luisa Anselmi (as Anouk Aimee)
Rossella Falk ...
Madeleine, l'attrice francese
La Saraghina (as Edra Gale)
Guido Alberti ...
Mario Conocchia ...
Conocchia, il direttore di produzione
Bruno Agostini ...
Bruno - il secondo segretario di produzione
Cesarino Miceli Picardi ...
Cesarino, l'ispettore di produzione
Carini, il critico cinematografico
Mario Pisu ...


Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis


More sensational than "La Dolce Vita" See more »


Drama | Fantasy


Not Rated | See all certifications »

Parents Guide:





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Release Date:

25 June 1963 (USA)  »

Also Known As:


Box Office

Opening Weekend:

$11,947 (USA) (9 April 1999)


$50,690 (USA) (23 April 1999)

Company Credits

Production Co:

,  »
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Technical Specs


Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?


In 2002, named by "Positif" (France) as one of the 50 best films of the last 50 years (critics' choice: #3) See more »


When Guido visits the cardinal in the mud bath, the cardinal is sitting in a chair, fully dressed in his cassock, as two attendants use a sheet to form a curtain around him; however, as the camera cuts to a closer angle, the cardinal is suddenly undressed to the waist. See more »


Claudia: I don't understand. He meets a girl that can give him a new life and he pushes her away?
Guido: Because he no longer believes in it.
Claudia: Because he doesn't know how to love.
Guido: Because it isn't true that a woman can change a man.
Claudia: Because he doesn't know how to love.
Guido: And above all because I don't feel like telling another pile of lies.
Claudia: Because he doesn't know how to love.
See more »


Referenced in Jeopardy!: Episode #33.23 (2016) See more »


Concertino alle Terme: Sinfonia
Written by Nino Rota
See more »

Frequently Asked Questions

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User Reviews

Perhaps, one of the greatest films ever made
9 November 2005 | by (Virginia, USA) – See all my reviews

First time I saw 8 1/2 over twenty years ago; I did not like it then and I did not care much for a confused director who did not know how to make his next movie or how to deal with all women in his life. This time it was different. I knew it from the opening scene, from the first sounds of Nino Rota's music. I wanted to know how Guido would balance the demands of his producers and the insecurities of his love life. I sometimes barely could tell the difference between the reality and Guido's surfing the waves of his memory or building the Utopias in his mind where things were exactly the way he wanted them to be – and I really did not want to tell the difference. I just was there, following Guido on his journey where Fellini sent us. Then, that scene came, "La Saraghina's" lurid dance on the beach. There was something in that scene that made me return to it over and over again. What was it? The dancing woman was not young, pretty or graceful. On the contrary, she was fat and ugly but there was something about her – that smile, resilience, the promise of joy that attracted eager schoolboys. It was a last time the young Guido felt happy without guilt and shame that inevitably came after the encounter and stayed with him forever; he learned that joy and punishment are inseparable…

There have been fewer than a handful of films that affected me as profoundly as 8 ½ did:

Tarkovsky's "Zerkalo" – when the master holds the mirror in front of you that reflects his soul and mind, open you eyes and heart, don't say a word, just watch closely.

Tarkovsky's "Andrey Rublev" – What is talent? Is it a God's gift or Devil's curse? Is an Artist free in choosing what to do with that gift?

Bergman's "Persona" – How far can one individual go in opening his soul to the other without losing identity and sanity?

Fellini's –"Nights of Cabiria" – "Dum Spiro – Spero" - While there's life there's hope.

In 8 ½, Fellini explored all these subjects and in the final he took the idea of life and hope ever further: after all the characters in his film disappear from the screen, all what left behind is "a little orchestra of Hope with Love as its conductor". The last that we hear is the magic music of Rota, bringing affirmation, hope and love.

Simply wonderful. Perhaps, one of five greatest films ever made.

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