A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making. Written by
Colin Tinto <firstname.lastname@example.org>
Voted as the 10th greatest film of all time in Sight & Sound's 2012 critic's poll. See more »
When Guido and Claudia go out for their drive, they stop near some springs. Guido exits the passenger side of the car (off camera); we hear the door open and close. But when Claudia, who was driving, steps out moments later (also off camera), we never hear her door open or close. See more »
Only the early Fitzgerald was great, then came an orgy of brutal realism.
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Swirling, kaleidoscopic rumination from Fellini. The other user comments here (as well as many professional reviews) show how difficult it is to discuss this film briefly, so I don't think I'm going to try. I would only say that, like other films that push at the boundaries of cinematic greatness--`Citizen Kane,' `Nashville,' and `Brazil' are three others that come to mind--it isn't really possible to place `8 ½' in any simple category. It is a comedy and a tragedy, a satire and a celebration, a movie about love and about the lack of it, a movie about making art and a movie about living, an autobiography and the most challenging kind of fiction, a masterpiece of style and a movie that's really about something. It's not for everyone, but it should be, and it's quite possibly the single greatest movie I have ever seen. 11 out of 10.
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