8½ (1963)

A harried movie director retreats into his memories and fantasies.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story),

Stars:

Marcello Mastroianni, Claudia Cardinale, Anouk Aimée

Top 250 #194 | Won 2 Oscars. Another 14 wins & 8 nominations.

Cast

Cast overview, first billed only:
Marcello Mastroianni	...	Guido Anselmi
Claudia Cardinale	...	Claudia
Anouk Aimée	...	Luisa Anselmi (as Anouk Aimee)
Sandra Milo	...	Carla
Rossella Falk	...	Rossella
Barbara Steele	...	Gloria Morin
Madeleine Lebeau	...	Madeleine, l'attrice francese
Caterina Boratto	...	La signora misteriosa
Eddra Gale	...	La Saraghina (as Edra Gale)
Guido Alberti	...	Pace, il produttore
Mario Conocchia	...	Conocchia, il direttore di produzione
Bruno Agostini	...	Bruno - il secondo segretario di produzione
Cesarino Miceli Picardi	...	Cesarino, l'ispettore di produzione
Jean Rougeul	...	Carini, il critico cinematografico
Mario Pisu	...	Mario Mezzabotta

Storyline

Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.

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Plot Keywords:

director | mistress | spa | childhood | film director | 

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Taglines:

A picture that goes beyond what men think about - because no man ever thought about it in quite this way!

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Genres:

Drama | Fantasy

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Certificate:

Not Rated

Details

Official Sites:

Official site Zazie Films [jp]

Country:

Italy France

Language:

Italian English French German

Release Date:

25 June 1963 (USA)

Also Known As:

Federico Fellini's 8 1/2

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Box Office

Opening Weekend:

$11,947 (USA) (9 April 1999)

Gross:

$50,690 (USA) (23 April 1999)

Company Credits

Production Co:

Cineriz, Francinex

Technical Specs

Runtime:

138 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Federico Fellini was well-known for working without a stable, finished screenplay. At one point during pre-production, he had completely forgot what his next work would have been about, his original idea had completely gone. While he was set to communicate to the movie producer Angelo Rizzoli his intention of abandoning the project, Fellini was invited to the birthday party of a head camera-operator of Cinecittà. All of a sudden, during the celebration, he got a new idea: his film would have told about a film-director who was going to direct a film, but he forgot what it was about.

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Goofs

When Guido visits Carla during her illness, a strap of her slip disappears in the close shot after she rolls over, but is apparent in longer shots both prior and after.

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Quotes

Guido: Accept me as I am. Only then can we discover each other.

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Connections

Referenced in Escape from the Newsroom (2002)

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Soundtracks

"Overture"
From "The Barber of Seville"
Composed by Gioachino Rossini

User Reviews

Perhaps, one of the greatest films ever made

First time I saw 8 1/2 over twenty years ago; I did not like it then and I did not care much for a confused director who did not know how to make his next movie or how to deal with all women in his life. This time it was different. I knew it from the opening scene, from the first sounds of Nino Rota's music. I wanted to know how Guido would balance the demands of his producers and the insecurities of his love life. I sometimes barely could tell the difference between the reality and Guido's surfing the waves of his memory or building the Utopias in his mind where things were exactly the way he wanted them to be – and I really did not want to tell the difference. I just was there, following Guido on his journey where Fellini sent us. Then, that scene came, "La Saraghina's" lurid dance on the beach. There was something in that scene that made me return to it over and over again. What was it? The dancing woman was not young, pretty or graceful. On the contrary, she was fat and ugly but there was something about her – that smile, resilience, the promise of joy that attracted eager schoolboys. It was a last time the young Guido felt happy without guilt and shame that inevitably came after the encounter and stayed with him forever; he learned that joy and punishment are inseparable…

There have been fewer than a handful of films that affected me as profoundly as 8 ½ did:

Tarkovsky's "Zerkalo" – when the master holds the mirror in front of you that reflects his soul and mind, open you eyes and heart, don't say a word, just watch closely.

Tarkovsky's "Andrey Rublev" – What is talent? Is it a God's gift or Devil's curse? Is an Artist free in choosing what to do with that gift?

Bergman's "Persona" – How far can one individual go in opening his soul to the other without losing identity and sanity?

Fellini's –"Nights of Cabiria" – "Dum Spiro – Spero" - While there's life there's hope.

In 8 ½, Fellini explored all these subjects and in the final he took the idea of life and hope ever further: after all the characters in his film disappear from the screen, all what left behind is "a little orchestra of Hope with Love as its conductor". The last that we hear is the magic music of Rota, bringing affirmation, hope and love.

Simply wonderful. Perhaps, one of five greatest films ever made.