A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest... See full summary »
Guy Maddin reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfills his dying mother's request to paint the lighthouse ... See full summary »
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Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making. Written by
Colin Tinto <email@example.com>
When Guido and Claudia go out for their drive, they stop near some springs. Guido exits the passenger side of the car (off camera); we hear the door open and close. But when Claudia, who was driving, steps out moments later (also off camera), we never hear her door open or close. See more »
What is this flash of joy that's giving me new life? Please forgive me sweet creatures; I didn't realize, I didn't know. How right it is to accept you, to love, you... and how simple! Luisa, I feel I've been set free. Everything looks good to me, it has a sense, it's true. How I wish I could explain, but I can't... everything's going back to what it was. Everything's confused again, but that confusion is me; how I am, not how I'd like to be. And I'm not afraid to tell the truth now, what I ...
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I certainly wouldn't be saying anything new if I said that "8 1/2" is one of the most unique, fascinating, and personal pieces ever committed to film. It has consistently hailed as such, and its influence on film is far reaching and undeniable. It is certainly not one of the most entertaining movies of all time, and is actually quite long and difficult. But it is an incredible piece of filmmaking, and a gripping look at the difficulties of creating not just a movie, but art in general.
Guido (Marcello Mastroianni) is a popular movie director who is working on his new film. Along the way, he struggles with his screenwriter, producer, wife, and mistress. Each presents a different problem and obstacle. More and more difficulties arise, not just in his attempts to complete the movie, but in his own mind.
Guido, although flawed, is completely fleshed out, and draws sympathy from the audience. Yes, he is an adulterer, but he loves his wife. We see all of his personal desires and agony. We see how he suffers when he struggles with his desire to create the ultimate piece of art, one that offers something to everybody.
The movie is technically wonderful. The movement of the camera, the lighting, and the direction in general is top notch. The movie mixes in dreams with reality to create a dreamlike world, and put us closer into Guido's own mind.
Somebody who is looking for a movie as a two hour piece of entertainment will not enjoy this. But if you enjoy a movie that truly satisfies when it is finished, this is for you. It is quite long, and somewhat loose, but that is part of the interest. Moviemakers, or artists in general, will find that this film has a great deal to offer.
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