Rod Serling's seminal anthology series focused on ordinary folks who suddenly found themselves in extraordinary, usually supernatural, situations. The stories would typically end with an ironic twist that would see the guilty punished.
Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Will J. White
In the aftermath of a hurricane, a Florida Park Ranger and his family deal with strange occurrences, including luminescent creatures in the water and people that somehow seem to have ... See full summary »
Anthology type science fiction program with a different cast each week. Tending toward the hard science, space travel, time travel, and human evolution it tries to examine in each show some form of the question, "What is the nature of man?" Written by
John Vogel <email@example.com>
The opening Control Voice came first during first three episodes ("The Galaxy Being", "The Hundred Days of the Dragon" and "The Architects of Fear"). Then, the executives wanted to see the "Bear" (their name for the monster in the story) first so, beginning with the 4th episode ("The Man With The Power") it would begin with a scene from the show where the Bear made an appearance. Then, the opening Control Voice would start the show, a commercial, then the Control Voice prelude as the show began. That continued throughout the entire first season to the 32nd episode ("The Forms of Things Unknown"). With the beginning of the second season, the 33rd episode ("Soldier") began with not only the Bear but also the Control Voice prelude, which continued to the 49th and final episode ("The Probe"). See more »
Better to die than to sit and watch the world die.
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I was a fan of this show from the premier episode of "The Galaxy Being" which I saw when I was ten years old. I just recently was given the DVD set of both seasons. It's great to be able to see THE UNCUT episodes the way they were originally broadcast. It's true that the special effects of the early 60's are rather crude compared to what can be done with CGI today, however, the original Outer Limits made up for it by two things which often are missing in todays science fiction movies and series:excellent story lines with equally excellent acting. Another thing which always stood out for me was the music score which accompanied each episode. I was surprised when my teenage daughter watched some of the episodes with me and like them. One episode which resonated with her was "Don't Open Til Doomsday" It was weird having her discuss the episode with me and express the same feelings that I had 42 years ago when I saw it for the first time. I have to say that when the technology allowed for more realistic and fantastic special effects it seemed to take the heart out of good story telling. Even though I watched The new Outer Limits on Showtime and enjoyed it I feel that it still was inferior to the original series.
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