Dr. Richard Kimble is framed for his wife's murder by a mysterious one-armed man. During sentencing Kimble escapes intending to catch the one-armed man and find out why he was framed. ... See full summary »
Dr. Richard Kimble is accused as the murderer of his wife, tried and convicted. On his way to be executed, he escapes. The only chance to prove his innocence is to find the man who killed his wife. Kimble, pursued by Lt. Gerard, risks his life several times when he shows his identity to help other people out of trouble. Written by
Florian Baumann <firstname.lastname@example.org>
The theme music and its variations was recorded in London at the CTS Studios in Bayswater, using around 50 musicians from the Ted Heath and London Philharmonic Orchestra. The Conductor was Harry Rabinowitz. Sound Engineer was Eric Tomlinson. All 120 episodes were scored with the same 'library music' that was recorded at the start of production and not tailored to specific scenes in the show. See more »
Name: Richard Kimble. Profession: Doctor of Medicine. Destination: Death Row, State Prison. Richard Kimble has been tried and convicted for the murder of his wife. But laws are made by men, carried out by men. And men are imperfect. Richard Kimble is innocent. Proved guilty, what Richard Kimble could not prove was that moments before discovering his wife's body, he encountered a man running from the vicinity of his home. A man with one arm. A man he had never seen before. A man who has not yet ...
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"The Fugitive" is, without a doubt, the finest episodic drama series in the history of television. Who can't feel for Richard Kimble? His son is stillborn, which contributes to making his wife unable to have more children, which turns her into a bitter alcoholic, which strains their marriage, which makes him storm out of the house one evening, which leaves her alone to be murdered by a burglar, which is then blamed on him! Talk about your life going to hell in a handbasket! I think "The Fugitive" holds up so well because of its strict avoidance of schmaltz. The show never degenerates into maudlin soap opera; the characters are fresh and well-defined, the plots are gripping and realistic, and Kimble is a protagonist with whom we can easily identify. He's never presented as being squeaky clean; he's just a basically decent guy trapped in an overwhelming situation and trying to make the best of it.
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