Gharman tries to convince the Kaleds to vote against the Dalek project but Davros has a trick up his sleeve, while the Doctor works to destroy the tape recording of Dalek victory and the Thals plan ...
Life is a difficult challenge for Mr Bean, who despite being a grown adult, has trouble completing even the simplest of tasks. Thankfully, his perseverance is usually rewarded, and he finds an ingenious way around the problem.
The Doctor is a renegade Time Lord: an eccentric, highly-intelligent scientist from a distant planet. He travels through time and space in the TARDIS, a curious device, larger on the inside than on the outside, which was designed to change its appearance to suit its surroundings. Unfortunately, the Doctor's TARDIS seems to be broken, and always appears as a blue British police box. The Doctor has a soft spot for the planet Earth, and often visits there, either to save it from various alien threats or to whisk a choice few inhabitants away to the distant parts of the galaxy to help him fight evil there. The Doctor has many foes, including Daleks (led by Davros), and The Master, another renegade Time Lord. Time Lord biology enables them to regenerate their bodies, and so both the Doctor and the Master appear to evolve over the years... Written by
Murray Chapman <firstname.lastname@example.org>
Due to ill health, William Hartnell was unable to appear in Doctor Who: The Tenth Planet: Episode 3 (1966), which was also his penultimate episode. Ironically, the final episode of the serial has since been lost and consequently the last surviving episode from the Hartnell era doesn't even feature Hartnell. See more »
For most of the Hartnell era, the episode title appeared superimposed over the first scene (after the title sequence had completed). Later, and continuing on occasion during the Troughton era, the episode title and writer credit would be presented in a unique format (i.e. in the form of a computer print-out for "The War Machine", for example). When the opening credits were redesigned during the Troughton era (and now incorporated an image of the Doctor's face), the episode title and writer credit were usually included during this sequence. See more »
`Doctor Who', in a nutshell, is probably the most imaginative show ever created. Initially, it was about an eccentric time-traveller from another planet, who looked human and affected an English manner and style. The interior of his time machine (called a TARDIS) was huge and highly advanced, but the exterior quaintly resembled an English public call box. The Doctor was a self-imposed exile from a race of powerful beings called the Time Lords. The Time Lords observed history, but never interfered with it. This bored the almighty heck out of the Doctor, so he made off with an older TARDIS and decided to see the Universe for himself.
When the original actor who played the Doctor decided to leave the show, the writers came up with the inventive concept of `regeneration'. Whenever the Doctor was close to death, or actually killed, he would `regenerate' into a new body (and persona). The show went through seven highly talented actors in this fashion.
The format of the show was highly adaptable. Didn't like the way the show was going? Just wait two or three years. The style always seemed to change whenever there was a change of Doctor, producer and/or script editor. The series went from educational children's drama to monster show to intelligent adult sci-fi/drama to gothic horror to high camp, et cetera, et cetera, and so forth.
This was a wonderful, imaginative, fun show when it was on. I was sad to see it go.
98 of 102 people found this review helpful.
Was this review helpful to you?