When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protects a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony of Earth.
Edward James Olmos,
Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.
The Doctor is a renegade Time Lord: an eccentric, highly-intelligent scientist from a distant planet. He travels through time and space in the TARDIS, a curious device, larger on the inside than on the outside, which was designed to change its appearance to suit its surroundings. Unfortunately, the Doctor's TARDIS seems to be broken, and always appears as a blue British police box. The Doctor has a soft spot for the planet Earth, and often visits there, either to save it from various alien threats or to whisk a choice few inhabitants away to the distant parts of the galaxy to help him fight evil there. The Doctor has many foes, including Daleks (led by Davros), and The Master, another renegade Time Lord. Time Lord biology enables them to regenerate their bodies, and so both the Doctor and the Master appear to evolve over the years... Written by
Murray Chapman <firstname.lastname@example.org>
TV editing was very difficult in the 1960s, and so (in common with most other British TV drama at the time) many early episodes of "Doctor Who" were recorded "as live". If the actors fluffed their lines, the others had to cover for him/her. There are several obvious instances of this in the series, such as in "The Web Planet" where actor William Hartnell forgot his lines, leading to co-star William Russell to prompt him by asking "What galaxy is that in then, Doctor?". In order to facilitate this style of recording, the actors were allowed a four-day rehearsal period (Monday-Thursday) followed by camera rehearsal on Friday day and the actual studio recording Friday evening. Saturdays were often spent on location recording inserts for future episodes, and the actors were given Sunday off before the process started again for the next episode on Monday morning. Although editing techniques improved over the years, it remained the case that studio scenes would usually be taped almost as live, using a multi-camera system, until the series ended in 1989. See more »
When the TARDIS doors open from the inside, its outside shows the circle decorations, but it should show the Police Public Call Box doors. See more »
This is madness. The Daleks won't thank you for capturing me, they'll kill you.
I didn't quite tell you the truth. I serve the Daleks. I'm a Dalek agent.
[daleks enter and surround The Doctor]
Exterminate the doctor!
Exterminate the doctor! Exterminate! Exterminate!
See more »
While several episodes made use of teaser sequences before the opening credits (though only a handful in the show's 26-year history), the 1970 7-part story "The Ambassadors of Death" was unique in that it was an experiment in changing the format of the opening credits that was not repeated. At the start of each chapter, the credits would begin as usual but end right after the title "Doctor Who" appeared (before the episode and writer titles appeared). A brief teaser then followed, followed by the remainder of the opening sequence, as usual. Another story from the same season, "Inferno", also altered the format of the opening credits slightly by showing the episode and writer titles over footage of bubbling lava. See more »
This is perhaps one of the finest sci-fi series ever made. The idea is simple; a timelord who travels through time and space in a TARDIS (in the shape of an old Police Box)with various companions to fight the forces of evil in the Universe.
The budget was never large, but the ideas and effort were outstanding. It started going downhill after Peter Davison finished his turn as the Doctor, mainly due to poor stories and weaker scripts, but with the right budget and some seasoned writers, this show could be very great again.
Well worth watching for the ideas alone - especially some of those in the Tom Baker era, this has a massive worldwide following and deservedly so.
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