Gharman tries to convince the Kaleds to vote against the Dalek project but Davros has a trick up his sleeve, while the Doctor works to destroy the tape recording of Dalek victory and the Thals plan ...
The Doctor is a renegade Time Lord: an eccentric, highly-intelligent scientist from a distant planet. He travels through time and space in the TARDIS, a curious device, larger on the inside than on the outside, which was designed to change its appearance to suit its surroundings. Unfortunately, the Doctor's TARDIS seems to be broken, and always appears as a blue British police box. The Doctor has a soft spot for the planet Earth, and often visits there, either to save it from various alien threats or to whisk a choice few inhabitants away to the distant parts of the galaxy to help him fight evil there. The Doctor has many foes, including Daleks (led by Davros), and The Master, another renegade Time Lord. Time Lord biology enables them to regenerate their bodies, and so both the Doctor and the Master appear to evolve over the years... Written by
Murray Chapman <email@example.com>
The series' story editor towards the end of Patrick Troughton's era, Derrick Sherwin, felt Doctor Who would benefit from being set more on Earth because he felt it would make it more real and believable. He devised UNIT (the United Nations Intelligence Taskforce) as a group the Doctor could become allied to on Earth. The new actor to play the Doctor, Jon Pertwee, much preferred stories set on Earth and was comforted by working with the familiar company of the actors portraying the UNIT regulars, such as Nicholas Courtney, John Levene and Richard Franklin. Pertwee later said he would only have done stories set on Earth if it had been his decision. Pertwee era producer Barry Letts and script editor Terrance Dicks felt it was important to return the Doctor to space travel and set stories on other planets. However, UNIT would continue to appear regularly in the series until the new production team of Philip Hinchcliffe and Robert Holmes took over and wrote them out in Tom Baker's second season. See more »
That's the trouble with antimatter. You can see the effect but not the cause. It's like being punched on the nose by the invisible man.
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The tradition of showing The Doctor's face in the opening titles was not introduced until Patrick Troughton's tenure with the program was under way. During Jon Pertwee's era, the producers experimented with changing the opening credits and music. One of the rejected opening credits was accidentally included on some prints of the story "Carnival of Monsters" that were broadcast overseas. See more »
If there is one thing Doctor Who could teach the people of today, it would be "special effects do not make a movie/show". Movies and shows these days tend to rely more on special effects and less on plot. They're all show and little go. Doctor Who made up for it's lack of a high budget with it's strong plots and acting. I'd rather watch the all teeth and curls Tom Baker than watch the kid who played Anakin Skywalker in Phantom Menace. And I'd rather watch a pepperpot with a plunger sticking out of it repeating "Exterminate!" than watch Jar Jar "meesa no likea yous" Binks and the "extraordinary" fact that he's completely CGI.
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