Don Corey and Jed Sills operate Checkmate, Inc., a very high priced detective agency in San Francisco. Helping them protect the lives of their clients is British criminologist (once an Oxford professor) Carl Hyatt.
Neil Brock is a young social worker in the slums of New York City; his boss is Frieda Hechlinger; and Jane Foster is the office secretary. This dramatic series features stories about child ... See full summary »
George C. Scott,
Amos Burke was a Los Angeles chief of detectives who was also a millionaire with a chauffeur-driven Rolls Royce, a mansion, and a high-wheeling lifestyle. The hallmarks of this series were ... See full summary »
Ben Gazzara plays a successful lawyer who is told by his doctor in the first episode that he will die in one to two years. He decides to do all of the things he has never had time for. The ... See full summary »
The show consisted of 40 episodes, half were live and half were on film. The shows, often involving murder, were designed to confuse and mystify the audience and dealt with their fears and ... See full summary »
Captain Matt Holbrook leads a squad of brave and tough detectives in a large, unnamed city. Instead of leading personal lives, they spend all of their time tracking murderers, thieves, ... See full summary »
David Koster is an obsessive New York City assistant district attorney who gets into trouble because of his passion for justice. His boss, Anthony Celese, tries to keep him under control ... See full summary »
Howard Da Silva,
The Rifleman (1958) was scheduled for a sixth season in 1963 when Chuck Connors said he felt that five years in one series was enough. He was considered a hot property at the time due to its success. "Eager for a change," he wanted to break out of the western mold. Connors signed a lucrative seven-year deal with Universal/Revue Studios that gave him profit participation and allowed him to do at least one feature film a year. "Arrest & Trial" was the first project he committed to under his new contract. Originally slated to play Sgt. Anderson, the Ben Gazzara part, Connors lobbied for and received the part of John Egan, a slick, top-flight criminal defense attorney. Gazzara, on the other hand, had a number of impressive Broadway plays and Hollywood films to his credit but had resisted doing a TV series because, in those days, it could damage an actor's chances to appear on the big screen. However, Gazzara said that Broadway hadn't made him rich and the film offers were not exactly rolling in. So, he signed for "Arrest & Trial" for the financial security and exposure. Both actors were reportedly paid $7,500 a week and Gazzara, like Connors, enjoyed profit participation. See more »
This was one of the "big" shows that came with the mid-'60s. ARREST AND TRIAL attempted to combine the standard "cop" show with a "lawyer" offering that blossomed in the early 1960s -- not to include of course PERRY MASON, by then an old warhorse.
Half the story was the detection/ manhunt/ apprehension, whilst the other half concerned the adjudication. Even though I liked lawyer shows as a teen-ager and afterward (foreshadowing awful things to come in middle age), for some reason ARREST AND TRIAL did not click. I probably watched it for only its first three months -- sure beat homework -- but not again. It would seem audienceland received it the same way, which the two leads, a strong male figure (Connors) and a good actor (Gazzara) could not save.
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