Amos Burke was a Los Angeles chief of detectives who was also a millionaire with a chauffeur-driven Rolls Royce, a mansion, and a high-wheeling lifestyle. The hallmarks of this series were ... See full summary »
Neil Brock is a young social worker in the slums of New York City; his boss is Frieda Hechlinger; and Jane Foster is the office secretary. This dramatic series features stories about child ... See full summary »
George C. Scott,
Manhattan's 87th precinct forms the backdrop for this grim and gritty police drama based on the long-running series of novels by Ed McBain. Storylines focus on neighborhood crime, and the ... See full summary »
In the 1880s Jason McCord travels the country trying to prove he's no coward. He needs to do this because the military career of this West point graduate came to an end when he was thrown out of the army after being accused of cowardice.
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Howard Da Silva,
The Rifleman (1958) was scheduled for a sixth season in 1963 when Chuck Connors said he felt that five years in one series was enough. He was considered a hot property at the time due to its success. "Eager for a change," he wanted to break out of the western mold. Connors signed a lucrative seven-year deal with Universal/Revue Studios that gave him profit participation and allowed him to do at least one feature film a year. "Arrest & Trial" was the first project he committed to under his new contract. Originally slated to play Sgt. Anderson, the Ben Gazzara part, Connors lobbied for and received the part of John Egan, a slick, top-flight criminal defense attorney. Gazzara, on the other hand, had a number of impressive Broadway plays and Hollywood films to his credit but had resisted doing a TV series because, in those days, it could damage an actor's chances to appear on the big screen. However, Gazzara said that Broadway hadn't made him rich and the film offers were not exactly rolling in. So, he signed for "Arrest & Trial" for the financial security and exposure. Both actors were reportedly paid $7,500 a week and Gazzara, like Connors, enjoyed profit participation. See more »
Sometimes melodramatic, but intelligent and very well acted early 1960s U.S. TV series, that obviously served as the inspiration for "Law & Order".
Like "L & O" this is divided into 2 parts; "Arrest" where cop Ben Gazzara tracks down the person seemingly guilty of that week's crime and "Trial" where Chuck Connors defends them.
Having the 2nd half be from the defense point-of-view, not the prosecutor's makes the show different than "Law and Order", and arguably more interesting. It makes blatant how much of the legal system exists in shades of gray.
It's not surprising that Ben Gazzara is very, very good as cop Nick Anderson, making him more complex and interesting than your basic TV detective of the era. What caught me off- guard was that Connors as successful attorney John Egan, just about matches him. Unlike Gazzara, Connors was never taken that seriously as an actor,. But he shows a lot here as a top notch, somewhat cynical lawyer. Beyond the two leads, the guest casts were often very strong as well.
It's partly because these were 90 minutes episodes on TV, so each show runs about 75 minutes of screen time, as opposed to the standard TV drama that runs an hour, which means about 45-60 minutes of actual story. With the extra time, the writers fleshed out the characters, both regulars and guests, much more fully than on most non-serialized dramas.
So even if there are plot or logic holes (like charging a man with 1st degree murder, instead of a much more logical 2nd degree or manslaughter, so the trial can be about the issue of "intent" ) it feels more like you're watching a solid, well acted B-film each episode, instead of an early TV series. And the series has a nice mix of dark edginess and humanism.
Yes, the score can be painfully over-the-top, and some of the resolutions are too neat, but I'd still say this holds up favorably to a lot of the modern U.S. character cop and/or lawyer shows of today.
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