Neil Brock is a young social worker in the slums of New York City; his boss is Frieda Hechlinger; and Jane Foster is the office secretary. This dramatic series features stories about child ... See full summary »
George C. Scott,
Don Corey and Jed Sills operate Checkmate, Inc., a very high priced detective agency in San Francisco. Helping them protect the lives of their clients is British criminologist (once an Oxford professor) Carl Hyatt.
Amos Burke was a Los Angeles chief of detectives who was also a millionaire with a chauffeur-driven Rolls Royce, a mansion, and a high-wheeling lifestyle. The hallmarks of this series were ... See full summary »
A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.
The show consisted of 40 episodes, half were live and half were on film. The shows, often involving murder, were designed to confuse and mystify the audience and dealt with their fears and ... See full summary »
Ben Gazzara plays a successful lawyer who is told by his doctor in the first episode that he will die in one to two years. He decides to do all of the things he has never had time for. The ... See full summary »
Captain Matt Holbrook leads a squad of brave and tough detectives in a large, unnamed city. Instead of leading personal lives, they spend all of their time tracking murderers, thieves, ... See full summary »
When Dick Wolf created Law & Order (1990), he claims he was unaware that a quarter-century earlier "Arrest & Trial" had also used an arrest-followed-by-trial procedural format (and failed). A Universal Studio exec pointed out the similarity. To Wolf, however, a key difference was that the "real heroes" of "Law & Order" were not the defense attorneys who got the bad guys off (as in "Arrest & Trial") but the prosecutors who put them away and were paid a fraction of what their criminal defense counterparts earned. See more »
This was one of the "big" shows that came with the mid-'60s. ARREST AND TRIAL attempted to combine the standard "cop" show with a "lawyer" offering that blossomed in the early 1960s -- not to include of course PERRY MASON, by then an old warhorse.
Half the story was the detection/ manhunt/ apprehension, whilst the other half concerned the adjudication. Even though I liked lawyer shows as a teen-ager and afterward (foreshadowing awful things to come in middle age), for some reason ARREST AND TRIAL did not click. I probably watched it for only its first three months -- sure beat homework -- but not again. It would seem audienceland received it the same way, which the two leads, a strong male figure (Connors) and a good actor (Gazzara) could not save.
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