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L'Eclisse (1962)
"L'eclisse" (original title)

 -  Drama  -  20 December 1962 (USA)
7.8
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Ratings: 7.8/10 from 9,023 users  
Reviews: 48 user | 69 critic

A young woman meets a vital young man, but their love affair is doomed because of the man's materialistic nature.

Writers:

(scenario and dialogue), (scenario and dialogue), 2 more credits »
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Title: L'Eclisse (1962)

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Cast

Complete credited cast:
...
...
Francisco Rabal ...
Riccardo
Lilla Brignone ...
Vittoria's Mother
Rossana Rory ...
Anita
Mirella Ricciardi ...
Marta
Louis Seigner ...
Ercoli
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Storyline

In the suburbs of Rome, the translator Vittoria breaks her engagement with her boyfriend, the writer Ricardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets the broker Piero on a day of crash. The materialist Piero and the absent Vittoria begin a monosyllabic relationship. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

20 December 1962 (USA)  »

Also Known As:

L'Eclisse  »

Filming Locations:

 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Final part of the unofficial "Incomunicability Trilogy" also including L'Avventura (1960) and La Notte (1961). See more »

Quotes

Vittoria: As long as we were in love, we understood each other. There was nothing to understand.
See more »

Connections

Referenced in Amélie (2001) See more »

Soundtracks

L'eclisse Twist
Written by Giovanni Fusco
Performed by Mina
See more »

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User Reviews

 
More than decent conclusion of a great trilogy
1 March 2006 | by (Nis, Serbia) – See all my reviews

L'Eclisse (1962)***1/2

Third film in Antonioni's trilogy of alienation following L'Avventura (1960) and La Notte (1961) about a young woman (Monica Vitti) and her brief affair with handsome Alain Delon.

Like in his other movies, Antonioni uses specific techniques not to tell the story but rather to express the lack of communication among the characters, their alienation and incapableness to make a strong and meaningful relation. May this be because of their shallow characters or as a result of living in a modern society marked with the superficial values like prestigious and run-for-the-money – it's up to the viewer to decide. Anyway, long cadres, real time events, visual metaphors and visual contrasts between the characters on the one side and landscapes and/or modern day creations like buildings, streets (usually empty) on the other is what makes this rather experience than a plot-movie (intentionally) but nevertheless effective in their purpose (which is to express and transmit this same feelings of alienation to the viewer). So, if you're looking for an entertainment, you better skip this one. Final scene is great in concluding the movie. A bit weaker of great L'Avventura.


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