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L'Eclisse (1962)
"L'eclisse" (original title)

Not Rated  |   |  Drama  |  20 December 1962 (USA)
7.9
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Ratings: 7.9/10 from 10,165 users  
Reviews: 52 user | 74 critic

A young woman meets a vital young man, but their love affair is doomed because of the man's materialistic nature.

Writers:

(scenario and dialogue), (scenario and dialogue), 2 more credits »
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Title: L'Eclisse (1962)

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Cast

Complete credited cast:
...
...
Francisco Rabal ...
Riccardo
Lilla Brignone ...
Vittoria's Mother
Rossana Rory ...
Anita
Mirella Ricciardi ...
Marta
Louis Seigner ...
Ercoli
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Storyline

In the suburbs of Rome, the translator Vittoria breaks her engagement with her boyfriend, the writer Ricardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets the broker Piero on a day of crash. The materialist Piero and the absent Vittoria begin a monosyllabic relationship. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

20 December 1962 (USA)  »

Also Known As:

L'Eclisse  »

Filming Locations:

 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The last film Michelangelo Antonioni made in black and white. See more »

Quotes

Vittoria: Why do we ask so many questions? Two people shouldn't know each other too well if they want to fall in love. But, then, maybe they shouldn't fall in love at all.
See more »

Connections

Featured in The Story of Film: An Odyssey: European New Wave (2011) See more »

Soundtracks

L'eclisse Twist
Written by Giovanni Fusco
Performed by Mina
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User Reviews

 
SciFi for the Emotional Life
29 March 2007 | by (United States) – See all my reviews

Smart and moody, this film is not only about emotional Eclipse, it is about the eclipse of the old society as it changes, and also about how architectural changes eclipse older style, and more importantly, nature. There are really smart and insightful comments here on changing racial attitudes, and the disparities between rich, poor, and the people who don't mind cannibalizing the disenfranchised. All this commentary done with the subtlety of the slowing growing suburbs that our leading lady lives in.

Monica Vitti plays our "everywoman" who is our window into the Director's mind, but also herself a mere dot on the landscape. Early on, we see her throw away exactly what she seems to be looking for, only to pursue it in exactly the wrong place/person.

The film has a look of a sci-fi horror movie, but the horror here is emotional desolation, the destruction of nature/natural-ness, and the looming threat of nuclear war. This film, so cleanly represents the era when "duck and cover" was not only a physical act, it was an emotional state.

If you don't like film as art, you will be completely lost by the architectural city-scape ending montage, and the lack of traditional film closure. This is not a light evening of movie entertainment, but it is film making at it's non-verbal, eloquent best. Captivating, thought provoking, and meaty.


23 of 32 people found this review helpful.  Was this review helpful to you?

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