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The Exterminating Angel (1962)
"El ángel exterminador" (original title)

8.1
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Ratings: 8.1/10 from 16,305 users  
Reviews: 69 user | 59 critic

The guests at an upper-class dinner party find themselves unable to leave.

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Title: The Exterminating Angel (1962)

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Cast

Cast overview, first billed only:
...
Enrique Rambal ...
Claudio Brook ...
José Baviera ...
Augusto Benedico ...
Antonio Bravo ...
Jacqueline Andere ...
César del Campo ...
Rosa Elena Durgel ...
...
Enrique García Álvarez ...
Ofelia Guilmáin ...
Nadia Haro Oliva ...
Tito Junco ...
Xavier Loyá ...
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Storyline

After a lavish dinner party, the guests find themselves mysteriously unable to leave the room... and over the next few days all the elaborate pretenses and facades that they've built up by virtue of their position in society collapse completely as they become reduced to living like animals... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

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Release Date:

21 August 1967 (USA)  »

Also Known As:

The Exterminating Angel  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

An early working title of the film was _The Castaways of Providence Street._ Luis Buñuel took the title _El ángel exterminador_ from his friend José Bergamin, the Spanish poet, who had mentioned it the year before for a play he wanted to write. Buñuel told Bergamin, "If I saw _The Exterminating Angel_ on a marquee, I'd go see it on the spot." See more »

Goofs

After the butler trips in the dining room, the lady of the house follows him into the kitchen. While they speak the boom mic can clearly be seen at the bottom of the screen, extending out from under a table. See more »

Quotes

Carlos Conde; Doctor: [Seeing a box of drugs] You kept that here?
Edmundo Nobile: Every now and then we used to meet in this room - just friends - passing unforgetable hours together.
Carlos Conde; Doctor: Why didn't you show it to me?
Edmundo Nobile: I was frightened that the world would find out about it.
Carlos Conde; Doctor: What was used for pleasure can now be used to relieve pain.
See more »

Connections

Spoofed in The Meaning of Life (1983) See more »

Soundtracks

Sonata No. 6
(uncredited)
Pietro Domenico Paradisi
Played on piano
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Disturbing Dark Dangerous Satire
28 December 2002 | by (New York) – See all my reviews

I am not going to go into much specifics except to say that this is one of the darkest and most disturbing films I have seen. I would certainly in that way rank it alongside David Lynch's "Eraserhead," Werner Herzog's "Even Dwarfs Started Small," Terry Gilliam's "Brazil," and more recently Paul Thomas Anderson's "Punch Drunk Love." Each of these films is funny in a way, some hilariously, all subversively. I also must say, not to the detriment of the film necessarily, that this is one of the most irritating films I've seen. Bunuel truly gets under the skin of what gets under our skin: inane quirks, selfish boors, groupthinkers. The most disturbing imagery in the film suggests christian parallels with many of the guests praying or vowing to do good works if released, a butler that studied with jesuits and a final service in a church, as well as several lambs (often representations, as in Blake, of Jesus). Possible also are references to Passover's "exterminating" angel of death, as a brick thrown through a window is at first attributed "some passing Jew." I will not presume to interpret these, and I probably could not do so convincingly if I tried, and, much like with Eraserhead and Mulholland Drive, I don't really want them interpreted for me. This is the wonder of Bunuel. "Cinema is anarchistic" is a probable misquote of him, but from the time of his last film no filmmakers except those above have been able to capture the feeling while watching a film that ANYTHING can happen, and very quickly, and how very frightening that is. The other reason I write is that the VHS of this film is ATROCIOUS. The best part is where one guest babbles on for about 10 seconds, none of which is shown in the subtitles AT ALL. Most of them are difficult to read as they are against a white background, the quality is true crap. "Diary of a Chambermaid" is a fine film but this is the one that truly needs to be seen as it was intended. >


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