Japanese disaster film about a giant meteor on a collision course with the Earth. The dubbed American version of this film is missing a giant walrus which appeared briefly in the Japanese ... See full summary »
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
In the Japanese mountains, a warlord enslaves the men of nearby villages. A group of young boys decide to rescue their fathers and awaken Daimajin, who brings his ancient power to bear against a new weapon, the rifle.
Japanese villagers worship a monster and his son who live in an island cave. Some circus people hear about them, go to the island to capture the monster and wind up shooting its son. Then ... See full summary »
Kenneth G. Crane,
Japanese disaster film about a giant meteor on a collision course with the Earth. The dubbed American version of this film is missing a giant walrus which appeared briefly in the Japanese version. Written by
Originally, the film wasn't going to include the giant walrus, Magma. However, producer Tomoyuki Tanaka insisted that the monster be put into the film so Ishirô Honda added the sequence, albeit reluctantly. See more »
If we could come together and cooperate to overcome the danger that threatened us, can't we take this opportunity to work together for all eternity?
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GORATH (1962) begins with a Japanese Space Exploration ship fatally encountering a run-away planet smaller than Earth, but much greater in mass. It is now up to Earth scientists to build rocket boosters at the South Pole in order to move the Earth out of it's orbit. For logic, GORATH is a scientific mess (One scientist watches Gorath suck up the moon "The moon's gone. But it gives us the boost we need!") Huh? However, GORATH is a charming sci-fi film. Akira Kubo (A Japanese actor who resembles Speed Racer) is the astronaut who takes on a suicidal space mission to observe Gorath when his relationship with a young woman is at it's lowest ebb. His return to Earth, as a shell-shocked wreck is quite touching. Tsuburaya's minatures are also at a low here. The space scenes a re quite beautiful and haunting despite that. Basically, GORATH, for all it's screenwriting and cinematograhic faults, has an entertaining charm.
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