| Timothy Carey | ... | Clarence Hilliard | |
| Gil Barreto | ... | Alonzo (as Gil Baretto) | |
| Betty Rowland | ... | Edna Hilliard | |
| James Farley | ... | The Devil | |
| Gail Griffin | ... | Betty Hilliard (as Gail Griffen) | |
| Tyde Rule | ... | Follower | |
| Gene Koziol | ... | Follower | |
| Dana Madison | ... | Follower | |
| Gitta Maynard | ... | Elderly Woman | |
| Titus Moede | ... | Follower | |
| Betty Sturm | ... | Follower | |
| Marty Prisco | ... | Follower | |
| Grace De Carolis | ... | Mother | |
| Carolina Samario | ... | Nate | |
| George E. Carey | ... | Follower (as George F. Carey) | |
| Duana Dedda | ... | Follower | |
| Doris Carey | ... | Follower | |
| Victor Floming | ... | Office Boss | |
| Jerry Mobley | ... | Follower | |
| George Seemer | ... | Follower | |
| Ann Josephs | ... | Secretary | |
| Eleanor Enderle | ... | Follower | |
| Jenny Sanches | ... | Old Lady in Church | |
| Ben Avila | ... | Follower | |
| Gene Pollock | ... | Priest | |
| Joe Powell | ... | Follower | |
| Bob Divorsney | ... | Follower | |
| Victor Cory | ... | Follower | |
| Whitey Jent | ... | Guitar Player | |
| Don Mozee | ... | Follower | |
| Paul Frees | ... | Narrator (voice) |
Directed by | |||
| Timothy Carey | |||
Writing credits | ||
| Timothy Carey | (written by) | |
Produced by | |||
| George E. Carey | .... | assistant producer (as George F. Carey) | |
| Timothy Carey | .... | producer | |
| Anthony M. Lanza | .... | assistant producer | |
| George E. Nahas | .... | assistant producer | |
| Titus Moede | .... | associate producer (uncredited) | |
Original Music by | |||
| Frank Zappa | (as Zappa) | ||
Cinematography by | |||
| Frank Grande | |||
| Robert Shelfow | |||
| Ray Dennis Steckler | (as Raymond Steckler) | ||
| Edgar G. Ulmer | (as Ove H. Sehested) | ||
Film Editing by | |||
| Carl Mahakian | |||
| Lee Strosnider | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| William Jordan | .... | assistant director | |
| Gene Koziol | .... | assistant director | |
Camera and Electrical Department | |||
| Rick Dennis | .... | lighting (as Richard Kozlowski) | |
| Roger Kimber | .... | lighting | |
| Frank Nappi | .... | lighting | |
Costume and Wardrobe Department | |||
| Alberts | .... | wardrobe | |
Music Department | |||
| Fred Graff | .... | conductor | |
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| The Holy Mountain | Palindromes | Donnie Darko | Love Actually | Bulworth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Recently I had the privilege of viewing a poor quality bootleg videotape of this film. Boy, was I in for a surprise.
For starters, I'm not one to typically enjoy cult classics or films that are in the "so-bad-they-are-good category." My initial attraction to this film was based on one thing - Timothy Carey.
I first learned of Timothy Carey when I purchased a Stanley Kubrick DVD of "The Killing". Carey has a small but important role in this film, and the minute he first appeared on screen I knew there was something special about this guy. There was a magnetic bizarreness to him that simply transcended the role. The character he played didn't have to be creepy, but Carey _was_ creepy. The weird way he looked with his eyes almost always at half mast, the way he spoke with his peculiar voice and heavy New York accent, and his unconventional looks (like a bizarro version of John Turturro) all worked together to really pique my curiosity about him.
Well, onto the Internet I went. I found out more about him. He made a living generally playing seedy characters in supporting roles in all movies he appeared in, except for one. "The World's Greatest Sinner" would be not only his sole staring role, but also the only movie he wrote, produced, and directed. And never released.
Once I got a chance to watch the bootleg, I could see why it never received a proper release in its day.
Carey plays an insurance salesman that is seemingly depressed and bored with his job and life and decides to change. He gets inspired by rock-n-roll, becomes a rock star of sorts, a preacher, a politician, and finally sells himself as God to his cult of followers.
This movie has some pretty dark humor, at least one shocking scene (even by today's standards, never mind 1962), and takes some potshots at organized religion.
Maybe the thing that struck my the most about this movie is it's vitality. It feels fresh, which is so different than how many older movies hold up. This is because this film was and continues to be so far ahead of its time.
If you are a fan of cult movies, I urge you to track this film down. If you are a fan of offbeat actors, ala Dennis Hopper, Crispin Glover, etc., I urge you to track this film down.
It certainly is a sin that this wonderful movie is not available through normal channels.