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What Ever Happened to Baby Jane? (1962)

8.1
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Ratings: 8.1/10 from 24,419 users  
Reviews: 167 user | 104 critic

A former child star torments her crippled sister in a decaying Hollywood mansion.

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(from the novel by), (screenplay)
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Title: What Ever Happened to Baby Jane? (1962)

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Won 1 Oscar. Another 2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Marty Mc Donald
Julie Allred ...
Anne Barton ...
Cora Hudson (as Ann Barton)
Marjorie Bennett ...
Dehlia Flagg
...
Ben Golden
...
Mrs. Bates
...
Dave Willock ...
Ray Hudson
William Aldrich ...
Lunch Counter Assistant at Beach
Russ Conway ...
Police Officer
Maxine Cooper ...
Bank Teller
Robert Cornthwaite ...
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Storyline

In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair - Jane ran her over with the car while drunk, even though she has no memory of it - and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Sister, sister, oh so fair, why is there blood all over your hair? See more »

Genres:

Drama | Horror | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 October 1962 (USA)  »

Also Known As:

¿Qué pasó con Baby Jane?  »

Box Office

Budget:

$980,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Bette Davis had been nominated for Best Actress in her film What Ever Happened to Baby Jane? (1962), which also starring Joan Crawford. If Bette had won, it would have set a record number of wins for an actress. According to the book "Bette & Joan - The Divine Feud" by Shaun Considine, the two had a life long mutual hatred, and a jealous Joan Crawford actively campaigned against Bette Davis for winning Best Actress, and even told Anne Bancroft that if Anne won and was unable to accept the Award, Joan would be happy to accept it on her behalf. According to the book - and this may or may not be 100% true, but it makes a good anecdote - on Oscar night, Bette Davis was standing in the wings of the theatre waiting to hear the name of the winner. When it was announced that Anne Bancroft had won Best Actress for The Miracle Worker (1962), Bette Davis felt an icy hand on her shoulder as Joan Crawford said "Excuse me, I have an Oscar to accept". See more »

Goofs

In one scene Jane parks the Lincoln convertible in the garage head-in. The next time we see the car, it's been backed into the garage. See more »

Quotes

Blanche: Oh really, did she like it?
Jane: [imitating Blanche's voice] Oh Really did she like it?
See more »

Connections

Referenced in Beautiful Thing (1996) See more »

Soundtracks

I've Written a Letter to Daddy
Music by Frank De Vol
Lyrics by Bob Merrill
Performed by Bette Davis
Also performed by Julie Allred (dubbed by Debbie Burton)
See more »

Frequently Asked Questions

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User Reviews

 
One of the great movies about the movies
3 July 2006 | by (Derry, Ireland) – See all my reviews

One of the great movies about the movies, (and great movies about the movies aren't reverential, they bite the hand that feeds them), and the best of Aldrich's 'women's pictures'. Detractors see it as a misogynist load of horse manure about a couple of self-loathing sisters hauled up together in a decaying Hollywood mansion, a too-close-to-home study of the real life rivalry between stars Bette Davis and Joan Crawford or even as a veiled study of homosexual self-depreciation with the sisters as ageing drag queens. But these are the very things that make the picture great. It is precisely because it can be read in this way that makes it such a perversely enjoyable, subversive piece of work.

As the sisters, Davis and Crawford pull all the stops out and then some. What makes Crawford's performance great is that she is never sympathetic even when Davis is feeding her dead rat or quite literally kicking her when she's down, while Davis is simply astonishing. With her face painted like a hideous Kabuki mask and dressed up like a doll that's filled with maggots it's an unashamedly naked piece of acting, as revealing as her work in "All About Eve" and almost as good. Unfortunately the film's commercial success lead both actresses into a downward spiral of not dissimilar but considerably lack-lustre material. But this bitch-fest is the real McCoy.


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