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What Ever Happened to Baby Jane? (1962)

8.1
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Ratings: 8.1/10 from 24,992 users  
Reviews: 168 user | 106 critic

A former child star torments her crippled sister in a decaying Hollywood mansion.

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(from the novel by), (screenplay)
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Title: What Ever Happened to Baby Jane? (1962)

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Won 1 Oscar. Another 3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Marty Mc Donald
Julie Allred ...
Anne Barton ...
Cora Hudson (as Ann Barton)
Marjorie Bennett ...
Dehlia Flagg
...
Ben Golden
...
Mrs. Bates
...
Dave Willock ...
Ray Hudson
William Aldrich ...
Lunch Counter Assistant at Beach
Russ Conway ...
Police Officer
Maxine Cooper ...
Bank Teller
Robert Cornthwaite ...
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Storyline

In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair - Jane ran her over with the car while drunk, even though she has no memory of it - and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Sister, sister, oh so fair, why is there blood all over your hair? See more »

Genres:

Drama | Horror | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 October 1962 (USA)  »

Also Known As:

¿Qué pasó con Baby Jane?  »

Box Office

Budget:

$980,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The Hudson sisters' car, identified by the police as a 1940 or '41 model, appears to be a 1946 Lincoln Continental. See more »

Goofs

In one scene Jane parks the Lincoln convertible in the garage head-in. The next time we see the car, it's been backed into the garage. See more »

Quotes

Jane: I've written a letter to Daddy / His address is Heaven above / I've written "Dear Daddy, we miss you / And wish you were with us to love" / Instead of a stamp I put kisses / The postman says that's best to do / I've written a letter to Daddy / Saying "I love you" / Now when I'm very good, and do as I am told / I'm Mama's little angel and Papa says I'm good as gold / Now when I'm very bad and answer back and sass / Then I'm Mama's little devil, and Papa says I've got the brass / Now I wish that ...
See more »

Connections

Referenced in Gray Matters (2006) See more »

Soundtracks

I've Written a Letter to Daddy
Music by Frank De Vol
Lyrics by Bob Merrill
Performed by Bette Davis
Also performed by Julie Allred (dubbed by Debbie Burton)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

You didn't eat your dindin, Blanche
17 October 2003 | by (Saint John, New Brunswick) – See all my reviews

I have seen this movie at least two dozen times, and I will see it at least that many times again. It's such a Bette Davis feast. Of course, she was nominated for an Oscar. And she should have won it! There was a lot of 'history' between Miss Davis and Miss Crawford going way back to the 1940s, when Crawford was let go from M-G-M and went to work at WB where Bette Davis was Queen of the lot. The stories behind the making of the film are as interesting as the movie, with Miss Crawford demanding the set be kept at a breezy 55 (but preservative) degrees causing all kinds of problems with Miss Davis's bronchitis. One only wonders how much 'acting' was involved as Miss Davis tortures Miss Crawford emotionally and, later, physically. Miss Crawford suffers grandly and has her mandatory telephone scene, big eyes tremulous with fear. She is great, but it is a Bette Davis tour-de-force and she wipes every other actor off the screen. Full 10 of 10 for this one, and recommended to everyone who wants to see what the great actresses of the 1930s and 1940s could and would still do, albeit in minor-A productions, as the requests for their services dwindled, but wanted to keep on working.


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