The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair - Jane ran her over with the car while drunk, even though she has no memory of it - and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes. Written by
In scenes where Jane imitates Blanche's voice, the voice heard is actually Joan Crawford's voice, and not Bette Davis', as Bette could not master Joan's voice properly. See more »
In the film's final scene, when Baby Jane walks up to the ice cream vendor, her lipstick is much lighter than in the rest of the film. Moments after, her lips are once again covered with darker lipstick. Additionally, during the dancing scene subsequently on the beach, even though it's obviously hot out, the ice cream shows no signs of melting whatsoever. See more »
Who was that at the door earlier?
Where is she now? In the kitchen?
No, I gave her the day off. She has a pretty hard time considering. I told her to come back next week.
Oh, Blanche? You know we've got rats in the cellar?
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I don't think I walked into this one with the right set of expectations. I expected a low-fi, creepy bit of occult-tinted fun from an age before horror films were bloated, over-done sacks of crap, and what I got was much different. I wouldn't really say this is a straight horror movie like Psycho or The Birds, as it unfolds itself like a riveting drama of two sisters instead. The acting is phenomenal, though, at least from our two lead characters, and the way they play off each other is just fantastic. This one takes a while to get going, but once it does, you are in for a high-octane, creepy thrill ride. Recommended to fans of older horror/suspense type movies.
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