In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes. Written by
It takes a while for both leads to appear on screen, with Joan Crawford appearing first while watching her character's old picture. Bette Davis finally appears about a minute later, and by this point, it's nearly 20 minutes into the picture. See more »
Blanche screws up the note to throw it to her neighbor. However when Jane hands the folded note to Blanche it has no sign of having been screwed up. Apart from folded, the paper is pristine. See more »
Want to see it again little girl? It shouldn't frighten you.
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The Warner Bros. logo does not appear at the beginning of this film. See more »
I have seen this movie at least two dozen times, and I will see it at least that many times again. It's such a Bette Davis feast. Of course, she was nominated for an Oscar. And she should have won it! There was a lot of 'history' between Miss Davis and Miss Crawford going way back to the 1940s, when Crawford was let go from M-G-M and went to work at WB where Bette Davis was Queen of the lot. The stories behind the making of the film are as interesting as the movie, with Miss Crawford demanding the set be kept at a breezy 55 (but preservative) degrees causing all kinds of problems with Miss Davis's bronchitis. One only wonders how much 'acting' was involved as Miss Davis tortures Miss Crawford emotionally and, later, physically. Miss Crawford suffers grandly and has her mandatory telephone scene, big eyes tremulous with fear. She is great, but it is a Bette Davis tour-de-force and she wipes every other actor off the screen. Full 10 of 10 for this one, and recommended to everyone who wants to see what the great actresses of the 1930s and 1940s could and would still do, albeit in minor-A productions, as the requests for their services dwindled, but wanted to keep on working.
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