Recruits head to the front lines towards the close of the Korean War. The interaction between two of the soldiers...an idealistic newcomer and a psychotic who goes on one-man patrols ... See full summary »
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Recruits head to the front lines towards the close of the Korean War. The interaction between two of the soldiers...an idealistic newcomer and a psychotic who goes on one-man patrols slitting enemy throats under cover of night...and the orphan boy who comes between them is examined. The Cease-Fire brings the three to a final resolution. Written by
Martin H. Booda <email@example.com>
Robert Redford and Sydney Pollack began a lifelong friendship and the beginning of an exceptional body if work together as actor and director both men having made their feature film acting debuts in War Hunt (1962). See more »
Pvt. Roy Loomis:
Once you get out of training, you're funneled into what's called the pipeline, and you become a number while you're traveling in it, until you get spewed out somewhere at the other end. After you land, you look for signs of war. A bullet scar in a wall, a bombed out building. You don't have to look very hard. You see a lot of poverty, kids starving. When you get out of the trucks after the ship and the train, you know the pipeline is carrying you further toward the front. You're ...
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This ultra low-budgeted and virtually unknown war/drama movie is probably the most interesting from an "acting" point-of-view. "War Hunt" remarkably but I suppose coincidentally as well features the big screen debuts of no less than three names that are nowadays considered hugely famous and acclaimed. Director Sydney Pollack (who sadly passed away earlier this year) and charismatic star Tom Skerritt both appear in small yet memorable roles, while Robert Redford (later star of classics such as "The Sting" and "All The President's Men") debuts in the fairly complex leading role of idealistic soldier in the center of a senseless Korean war zone. And yet, in spite of the more appealing great names, it's unquestionably the still underrated veteran actor John Saxon who steals the show. Even more so, Saxon owns the film and he's genuinely petrifying as the introvert soldier who appears to use the Korean War to give rein to his murderous and psychotic tendencies. When the young and inexperienced private Loomis arrives at the front during the last stage of the Korean War, his fellow soldiers immediately warn him to stay out of the way of Private Endore and his protégé Charlie; a local orphan kid. Endore is a brilliant soldier and of immeasurably value to the American army, but that is mainly because he single-handedly decreases the number of Korean soldiers by deliberately sneaking behind enemy lines at night. Private Loomis protests against this, especially because he wants to protect the young Charlie from his dangerous colleague. The rudimentary plot of "War Hunt" is actually pretty genius, since it's the first and only film at least, as far as I know that openly suggests signing up for the army is the ideal method for psychopathic killers to get away with their incontrollable urges and even get honored for them! Private Endore is anti-social, impolite and without manners but his superiors never cease to cover from him because he's such a powerful weapon against the enemy. The atmosphere of "War Hunt" is aptly depressing and dark, with some really brilliant musical choices and bleak photography. Presumably due to the absence of financial means, there's a severe shortage of action scenes and hence you'll have to struggle yourself through a handful of seemingly dull and redundant moments. Still, if it's not necessarily boisterous gunfire and violent battles in the trenches you're searching for, I would definitely recommend "War Hunt", if it were only for John Saxon's stupendous performance. His menacingly painted faced, the desolate star in his eyes and his completely unpredictable and impulsive personality make this one of the greatest performances I've ever seen in a low-keyed war epic.
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