6.8/10
1,456
48 user 11 critic

Walk on the Wild Side (1962)

Approved | | Drama, Romance | 23 March 1962 (Italy)
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »

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Writers:

(novel), (screenplay) | 1 more credit »
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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
...
Hallie Gerard
...
...
Teresina Vidaverri
...
Jo Courtney
...
Miss Precious
...
Oliver
...
Schmidt / Courtney
...
Dockery (as Donald Barry)
...
Mama
...
...
Frank Bonito
...
Lt. Omar Stroud (as Todd Anderson)
Sherry O'Neil ...
Reba
John Bryant ...
Spence
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Storyline

At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he travelled from Texas and who is now the Doll House newest recruit. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

THIS IS AN ADULT PICTURE! Parents should exercise discretion in permitting the immature to see it. See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

23 March 1962 (Italy)  »

Also Known As:

Auf glühendem Pflaster  »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

During the filming, Capucine objected to filming kissing scenes with Laurence Harvey, feeling that he was not manly enough for her. Harvey reportedly replied, "Perhaps if you were more of a woman, I would be more of a man. Honey, kissing you is like kissing the side of a beer bottle." See more »

Goofs

Dove arranges to meet Hallie "the day after tomorrow." But when they meet, he says, "You look different, even since yesterday." See more »

Quotes

Preacher: Jezebel! That's right, I mean you! Now both of you sinners are hurrying past.
Dove Linkhorn: You got no business with us mister.
Preacher: Oh, sinners is my business. You and that hip-slinging daughter of Satan. You know there's the smell of sulfur and brimstone about you. The smell of hellfire.
Dove Linkhorn: Who ordained preacher?
Preacher: I am self-ordained son; I had the call.
Dove Linkhorn: You were called by the wrong voice mister.
Preacher: Lord strike this sinner down. Send a bolt down to smite and consume the blasphemer now!
Dove Linkhorn: He won't hear you. Cause you no ...
See more »

Crazy Credits

Closing credits are shown over a background of a newspaper showing the doll house crowd convictions, then we follow a black cat as it walks over the newspaper and farther down the street. See more »

Connections

Referenced in One World: A Walk on the Wild Side (1999) See more »

Soundtracks

Walk on the Wild Side
Music by Elmer Bernstein
Lyrics by Mack David
Sung by Brook Benton
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Old style meller trying to bust out of its Production Code corset.
29 June 2007 | by See all my reviews

This film is strangely reminiscent of Pre-Code Barbara Stanwyck pictures like 'Baby Face' or 'Women They Talk About.' But, what makes the film so much fun is its marvelously fractured casting. It's rumored that the film owes its existence to Capucine. Charles Feldman, the talent agent, mounted the production to showcase his protégée and (some say) girlfriend. She's quite a beauty, but what makes her performance so remarkable is that she's totally oblivious to the fact that she doesn't belong in this film.

Laurence Harvey has the Southern accent down. And, as for Jane Fonda, this was the one break in her endless string of coy sex kitten roles from the sixties where she proves she can act. Some say she overdoes it, but I think she provides the real spice in this film.

In the midst of this batch of newcomers hobbled together from around the world (although they're all playing indigenous Southerners) are two pros trained in the old Hollywood studios. This is hardly a high point for Barbara Stanwyck. But, she proves that you can put her down anywhere - in a screwball comedy, a tearjerker, a hard-boiled film noir, or a TV western - and she can hold her own.

Anne Baxter acquits herself well in the thankless task of playing a humble Mexican. Probably less well known for her accomplishments than Stanwyck, she won an Oscar for playing one of the greatest dramatic arcs given to an actress in the forties in "The Razor's Edge." These two pros give some dignity to a film that easily could have degenerated in to laughable kitsch.

This film is notorious for its overt portrayal of a lesbian character. But, it actually has a more interesting gay connection. Fonda, against the prohibition of director Edward Dymyrik, was secretly being coached in her dressing room by her 'secretary' and live-in boyfriend Andreas Voutsinas. Six years later, he would set a new benchmark for outrageous mincing queens as Carmen Ghia in Mel Brooks' "The Producers."


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