At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »
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At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he travelled from Texas and who is now the Doll House newest recruit. Written by
Jeremy Perkins <firstname.lastname@example.org>
The first Hollywood film to openly feature lesbianism. By appearing in the movie, Barbara Stanwyck became the first American actress to portray a lesbian character in a feature film. See more »
Dove arranges to meet Hallie "the day after tomorrow." But when they meet, he says, "You look different, even since yesterday." See more »
Jezebel! That's right, I mean you! Now both of you sinners are hurrying past.
You got no business with us mister.
Oh, sinners is my business. You and that hip-slinging daughter of Satan. You know there's the smell of sulfur and brimstone about you. The smell of hellfire.
Who ordained preacher?
I am self-ordained son; I had the call.
You were called by the wrong voice mister.
Lord strike this sinner down. Send a bolt down to smite and consume the blasphemer now!
He won't hear you. Cause you no ...
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Closing credits are shown over a background of a newspaper showing the doll house crowd convictions, then we follow a black cat as it walks over the newspaper and farther down the street. See more »
MEEE-OOOWWWW, a potboiler in the best sense of the word featuring Elmer Bernstein's substantial music over a terrific title sequence by Saul Bass.
This sleazy bit of melodrama, loosely based on a racy Nelson Algren book, is now dated kitsch; but can be enjoyed for what it is, thanks to the Hollywood team that put it all together. It's trashy intentions and heavyhanded delivery work in it's favor nowadays, so the brilliant Columbia DVD transfer is well worth checking out. The highlight of the movie is the Elmer Bernstein score; a masterwork with a life all it's own. The cast is a hoot: Barbara Stanwyck standing out as a lesbian brothel owner, a stiff dyke, hardly correct as a New Orleans Madame; Jane Fonda is a pouty, sultry slut, overdoing her overaged, nubile nymphette act; Laurence Harvey stretches all credibility as the good-boy Texas heartthrob searching for his lost love; an utterly miscast Capucine, playing an artsy, elegant whore-with-a-heart-of-gold; and Anne Baxter is quite humorous as a Mexican cafe owner. It's hard not to enjoy a movie with lead characters whose names are Dove and Kitty Twist, and a title song performed by Brook Benton with lyrics like: "Chances of goin' to Heaven, 6 to 1!".
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