At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »
Ellen Gordon, a New York executive's mistress falls for the executive's young business associate when the young man is accidentally sent to use the apartment where the executive and his ... See full summary »
On December 23rd, Korean War veteran George Haverstick and nurse Isabel Crane - who George lovingly refers to as "Little Bit" - get married in a civil ceremony. They met when George was ... See full summary »
In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
Eileen is 22 and is smarting from her breakup with Russ. She comes to New York to visit her brother, Adam, who is an airline pilot. Eileen confides to her brother that she thinks she may be... See full summary »
Professor Immanuel Rath (Curt Jurgens)is a martinet botany professor at a German high school who finds post cards bearing the likeness of Lola-Lola (May Britt), "The Blue Angel", in the ... See full summary »
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Based on the best-selling novel by Irving Wallace that was inspired by the Kinsey Report on the sexual mores of suburban women, the film follows the personal (read sexual) lives of four ... See full summary »
Efrem Zimbalist Jr.,
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he travelled from Texas and who is now the Doll House newest recruit. Written by
Jeremy Perkins <firstname.lastname@example.org>
Several contemporary reviewers mentioned that, although the film was set in the 1930s, Capucine seemed to be wearing contemporary (1962) fashions. Director Edward Dmytryk stated that it was because she was the "protege" of producer Charles K. Feldman, who decreed that, despite the film's 1930s setting, she would be dressed in the latest Pierre Cardin designs. See more »
Dove arranges to meet Hallie "the day after tomorrow." But when they meet, he says, "You look different, even since yesterday." See more »
MEEE-OOOWWWW, a potboiler in the best sense of the word featuring Elmer Bernstein's substantial music over a terrific title sequence by Saul Bass.
This sleazy bit of melodrama, loosely based on a racy Nelson Algren book, is now dated kitsch; but can be enjoyed for what it is, thanks to the Hollywood team that put it all together. It's trashy intentions and heavyhanded delivery work in it's favor nowadays, so the brilliant Columbia DVD transfer is well worth checking out. The highlight of the movie is the Elmer Bernstein score; a masterwork with a life all it's own. The cast is a hoot: Barbara Stanwyck standing out as a lesbian brothel owner, a stiff dyke, hardly correct as a New Orleans Madame; Jane Fonda is a pouty, sultry slut, overdoing her overaged, nubile nymphette act; Laurence Harvey stretches all credibility as the good-boy Texas heartthrob searching for his lost love; an utterly miscast Capucine, playing an artsy, elegant whore-with-a-heart-of-gold; and Anne Baxter is quite humorous as a Mexican cafe owner. It's hard not to enjoy a movie with lead characters whose names are Dove and Kitty Twist, and a title song performed by Brook Benton with lyrics like: "Chances of goin' to Heaven, 6 to 1!".
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