A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »
This film explores a Parisian woman's descent into prostitution. The movie is comprised of a series of 12 "tableaux"-- scenes which are basically unconnected episodes, each presented with a worded introduction. Written by
Alan Katz <email@example.com>
Rafael Romero (1910-1991) is a noted Spanish flamenco singer. He also appeared as singer, dancer and actor in at least nine films. See more »
Suddenly I don't know what to say. It happens to me a lot. I think first about whether they're the right words. But when the moment comes to speak, I can't say it. Why must one always talks? I think one should often just keep quiet, live in silence. The more one talks, the less the words mean.
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This has become my favourite Godard. It doesn't have the jazzy razzamatazz and classic Paris shots of A bout de souffle, or the invigorating Marxist politics of Tout va bien, or the beautiful scenary, beautiful body and beautiful music of Le Mepris, but it has a softness and a depth that are just haunting. It has a documentary quality in its most reflective moments, when we see Nana lighting a cigarette or undoing her cardigan. It is a film that is made up of disparate strands - poetic, documentary, melodramatic. It both creates Nana as star of the piece, with her sweet smile, beautiful coats, and cropped hair, and even, at one point, identification with Joan of Arc, yet undermines this to underline how ordinary, how vulnerable, even how banal she is. If you're new to Godard, start with this.
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