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Vivre Sa Vie (1962)
"Vivre sa vie: Film en douze tableaux" (original title)

8.1
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Ratings: 8.1/10 from 12,372 users  
Reviews: 44 user | 77 critic

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

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Writers:

(book), (story), 2 more credits »
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Title: Vivre Sa Vie (1962)

Vivre Sa Vie (1962) on IMDb 8.1/10

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Cast

Cast overview, first billed only:
...
Sady Rebbot ...
Raoul (as Saddy Rebbot)
André S. Labarthe ...
Paul
Guylaine Schlumberger ...
Yvette (as G. Schlumberger)
Gérard Hoffman ...
Le chef
...
Elisabeth
Paul Pavel ...
Journaliste
Dimitri Dineff ...
Dimitri
Peter Kassovitz ...
Le jeune homme
Eric Schlumberger ...
Luigi (as E. Schlumberger)
Brice Parain ...
Le philosophe
Henri Attal ...
Arthur (as Henri Atal)
Gilles Quéant ...
Premier client
Odile Geoffroy ...
La serveuse de café
Marcel Charton ...
L'agent de police
Edit

Storyline

This film explores a Parisian woman's descent into prostitution. The movie is comprised of a series of 12 "tableaux"-- scenes which are basically unconnected episodes, each presented with a worded introduction. Written by Alan Katz <katz@panther.middlebury.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 September 1962 (France)  »

Also Known As:

My Life to Live  »

Filming Locations:


Box Office

Budget:

$64,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (restored integral)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Jean Ferrat plays a cameo as a man playing his own song, 'Ma môme', on the jukebox. See more »

Quotes

Nana: Words should express just what one wants to say.
See more »

Connections

References Spartacus (1960) See more »

Soundtracks

Ma môme
Written by Jean Ferrat and Pierre Frachet
Sung by Jean Ferrat
Conducted by Alain Goraguer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

For Ever Godard
21 February 2003 | by (Belfast, N.I) – See all my reviews

This has become my favourite Godard. It doesn't have the jazzy razzamatazz and classic Paris shots of A bout de souffle, or the invigorating Marxist politics of Tout va bien, or the beautiful scenary, beautiful body and beautiful music of Le Mepris, but it has a softness and a depth that are just haunting. It has a documentary quality in its most reflective moments, when we see Nana lighting a cigarette or undoing her cardigan. It is a film that is made up of disparate strands - poetic, documentary, melodramatic. It both creates Nana as star of the piece, with her sweet smile, beautiful coats, and cropped hair, and even, at one point, identification with Joan of Arc, yet undermines this to underline how ordinary, how vulnerable, even how banal she is. If you're new to Godard, start with this.


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