5.7/10
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6 user 5 critic

Le vice et la vertu (1963)

Set against the backdrop of the Nazi occupation of France, VICE AND VIRTURE is a stylized retelling of the Marquis de Sade's Justine, as envisioned by one of cinema's most provocative filmmakers Roger Vadim.

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Writers:

(novel), (adaptation) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
...
SS Colonel Erik Schörndorf
...
General von Bamberg
...
Hans Streicher
...
Héléna
Valeria Ciangottini ...
Manuela
Paul Gégauff ...
Le docteur S.S. / S.S. doctor
...
Danielle
Serge Marquand ...
Ivan
...
Lieutenant Hoech
Michel de Ré ...
Professeur Naroyortz, astrologue / Astrologer
Jean Lévitte ...
(as Jean Le Vitte)
Howard Vernon ...
Un général S.S. / SS Man
Henri Virlojeux ...
L'intellectuel joueur d'échecs, président du tribunal
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Storyline

Set against the backdrop of the Nazi occupation of France, VICE AND VIRTURE is a stylized retelling of the Marquis de Sade's Justine, as envisioned by one of cinema's most provocative filmmakers Roger Vadim.

Plot Summary | Plot Synopsis

Plot Keywords:

based on novel | See All (1) »

Genres:

Drama

Certificate:

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Details

Country:

|

Language:

Release Date:

1 March 1963 (France)  »

Also Known As:

Laster und Tugend  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Connections

Version of Justine de Sade (1972) See more »

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User Reviews

 
Romantic muse to Pasolini's Salo
11 December 2002 | by (Amsterdam, Netherlands) – See all my reviews

Anybody who has seen Pasolini's 'Salo' will realise that Pasolini owed a debt to Vadim as the similarities in certain sections of the film are perfectly obvious. The key scene in relation to 'Salo' is when the 'victims' enter the chateau and once they are in the chateau suffer the same sort of torments as in Pasolini's film.

The basic difference between the two films is that despite the horrific subject matter Vadim retains a sense of romanticism which Pasolini rejected. It is a great pity this film is not more widely available on video as it is beautifully shot in scope with a delirious score that mixes Gotterdammerung with 'Les Parapluies de Cherbourg'!

The acting, especially from Annie Girardot is exemplary. You can see why this actress gave a such a terrific performance recently in 'La Pianiste'. It was however one of Deneuve's first roles and like all her early films she was not at her best, but clearly decorative.

A 'must-see' film for all those film lovers who have appreciated the likes of 'The Night Porter' and Visconti's 'The Damned'.

10/10


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