In an effort to find an economic means of purifying salt water, a joint U.S.-Japanese military command is set up on an isolated Japanese island where an unusual salt water lake is situated.... See full summary »
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
In the Japanese mountains, a warlord enslaves the men of nearby villages. A group of young boys decide to rescue their fathers and awaken Daimajin, who brings his ancient power to bear against a new weapon, the rifle.
In an effort to find an economic means of purifying salt water, a joint U.S.-Japanese military command is set up on an isolated Japanese island where an unusual salt water lake is situated. However, their purifying experiments arouse the prehistoric monster Obaki from hibernation at the lake's bottom, and it proceeds to attack Japan. Written by
Jeremy Lunt <firstname.lastname@example.org>
Although most of Akira Ifukube's score is replaced in the American version, if you listen closely enough you can her a version of what would become the familiar "March of the Monsters" theme from many of the mid-sixties Godzilla films. See more »
Varan was one of the few Japanese monsters that didn't catch on in Japan after the success of Godzilla and Rodan
I have seen the original version of the film and it is a very good example of the kaiju eiga genre. However, this version is a piece of garbage. The scenes where Myron Healy "interacts" with the populous of the island are awkward and you can tell immediately that the film was done by two different crews. Also, the print that is used by the American company is so dark you can barely make out the monster and they pretty much do away with one of the best scores ever composed by Akira Ifkube and replace it with some stock music that was originally used in "The Amazing Colossal Man". If Toho wants to sue the Americans for butchering one of their films, I will be glad to show up as a witness.
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