Without a family, penniless and separated from her sister, a beautiful chaste woman will have to cope with an endless parade of villains, perverts and degenerates who will claim not only her treasured virtue but also her life.
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed ... See full summary »
Conrado San Martín,
A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father's will. After a while she discovers that they are all in fact dead and her ... See full summary »
Despite my print being in Spanish (a language I don't speak) I quite enjoyed this early, non-horror outing from Franco until about half way through when it suddenly lurched into a comedy-thriller narrative. Up to that point it had been a quite amusing romantic comedy based around the last days of silent cinema: the performances were engaging and the frequent musical numbers pretty (especially the one at the guest house for musicians). There is an interesting moment when newspaper headlines proclaim the advent of talkies and the death of silents, which sees the main characters become destitute overnight. This could have been developed into an intriguing plotline, dealing with an often ignored period of cinema history but, Franco being Franco, he decides to up the ante and take the film into a whole new, almost entirely unconnected, area. It then becomes a pretty lame rip-off of SOME LIKE IT HOT, made the previous year. Never one to miss a trick Franco has made them not only cross-dressers but black impersonators too, piling bad taste on to bad taste. Naturally the film has nothing to do with vampires, except for the pre-credits scene showing a film being made, where one the actors wears a set of false vampire fangs.
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