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The Valiant (1962)

 |  Action, Drama, War  |  13 June 1962 (USA)
6.4
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Ratings: 6.4/10 from 47 users  
Reviews: 1 user | 1 critic

Having placed mines on the hull of a British warship whilst it is safe in harbour during the second World War , the two man crew of an Italian miniature submarine are captured and held ... See full summary »

Director:

(as Roy Baker)

Writers:

(screenplay), (screenplay), 4 more credits »
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Cast

Cast overview, first billed only:
...
Captain Morgan
Ettore Manni ...
Luigi Durand de la Penne
Roberto Risso ...
Emilio Bianchi
...
Lieutenant Field
Liam Redmond ...
Surgeon Commander Reilly
Ralph Michael ...
Commander Clark
Colin Douglas ...
Chief Gunner's Mate
Dinsdale Landen ...
Norris
...
Bedford
Patrick Barr ...
Reverend Ellis
Moray Watson ...
Captain Turnbull
Charles Houston ...
Medical Orderly
...
Payne (as Gordon Rawlings)
Laurence Naismith ...
Admiral
Leonardo Cortese ...
Italian commander
Edit

Storyline

Having placed mines on the hull of a British warship whilst it is safe in harbour during the second World War , the two man crew of an Italian miniature submarine are captured and held prisoner whist the crew try and discover the nature of their mission! Written by Tim Douglas

Plot Summary | Add Synopsis

Taglines:

The undercover...underwater war that shattered the sea...and shook the earth !

Genres:

Action | Drama | War

Certificate:

See all certifications »
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Details

Country:

|

Language:

Release Date:

13 June 1962 (USA)  »

Also Known As:

A única esperança  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

After the capitulation of Italy, De la Pene went to fight on the British side of the underwater war. When in March 1945 he was being presented with the Italian equivalent of the VC for his role in the attack on the "Valiant", Captain (by then Admiral) Morgan was present at the ceremony, and himself pinned the medal onto the man who had once been his enemy. See more »

Goofs

In the film, the Italians are seen to be given away by the bubbles rising from their breathing apparatus; during the war, the Italian frogmen used pure oxygen 'pendulum' breathing sets, in which exhaled gas is returned to the tank via a carbon dioxide filter, rather than the compressed-air apparatus used in peacetime - precisely in order to avoid the problem of a tell-tale string of bubbles. See more »

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User Reviews

 
THE VALIANT (Roy Ward Baker, 1962) **1/2
25 January 2008 | by (Naxxar, Malta) – See all my reviews

This was one of a number of Italian WWII-set collaborations with English-speaking countries, a couple of which I watched recently – namely THE CAPTIVE CITY (1962) and TORPEDO BAY (1963). While the handling is fairly dull, the film's main plot develops into a sustained suspense situation as a British vessel (commandeered by stiff-upper-lipped John Mills) is planted with explosive charges by Italian naval officer Ettore Manni and his (wounded) companion, who are then imprisoned on the ship itself after refusing to give details of their mission including the whereabouts of the bomb itself.

An underwater search at night fails to reap the desired results and Mills – with the help of officer Robert Shaw (who's married to an Italian girl) – determines to retrieve the necessary information which could save the ship and the life of more than a thousand men on it. Doctor Liam Redmond opposes his treatment of the P.O.W.s, but remains on board to cure the injured man even after the vessel has been evacuated. The explosion eventually occurs early the next morning – when the ship was scheduled to set sail for war duty; the film, then, ends with Mills awarding Manni for his integrity and loyalty to his cause three years after the fact.

As I said, the film is generally interesting (like the same director's DON'T BOTHER TO KNOCK [1952], it's mostly confined to a single setting) though the interrogation/confrontation scenes do get repetitive; it's also bogged down by resistible comic relief provided by two marines appointed to guard the saboteurs.

P.S. I'd love to revisit Mills' previous effort with Baker (in all, they worked six times together) i.e. the eccentric psychological Western THE SINGER NOT THE SONG (1961) – which I acquired some time ago.


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