| Index | 6 reviews in total |
31 out of 34 people found the following review useful:
A very very fine movie, 19 August 1999
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Author:
Mario Bergeron from Cap-de-la-Madeleine, Canada
I have read a recent interview with Belmondo, saying that the veteran Jean Gabin hate all that new wave french cinema when he was asked to do this movie with young Belmondo, who was, at that time, an actor who was working with the New Wave directors (Godard, Chabrol, Truffaut). But a solid friendship was born when the two men work together on that movie. In fact, the respect and this friendship seems to be very easy to see when we look at this charming movie. It's full of a sense of poetry. It's a movie about friendship, dreams, nostalgia, sadness between two men from different generations. It's also a movie about alcool, in a sense that the beatniks of that era refers to. It's also very well written. Gabin and Belmondo gives a very warm performance. You must see this wonderful movie.
25 out of 31 people found the following review useful:
A very good and funny movie exclusively for men, 23 July 1999
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Author:
nono-5 from London
A very good movie where Belmondo and Gabin performed a so great duet. The story of a man who has stopped drinking- and then dreaming- and who thanks to a young man who tries to forget a lost love in alcohol will turn drunk again during an exciting night. Every man who has ever felt the pleasure of alcohol as a dream and nostalgic catalyst will enjoy watching it. The dialogs are exceptionnal thanks to Michel Audiard.
12 out of 14 people found the following review useful:
The fabulous,ever-enchanting,ever-surprising Belmondo!, 17 August 2006
Author:
Cristi_Ciopron from CGSM, Soseaua Nationala 49
*** This review may contain spoilers ***
The good-looking Belmondo is a wonder in this fresh and lively
movie:inventiveness, intoxication,agility,fearlessness,
heartiness,fervency.He and Gabin give the action an almost dreamily
dimension,when they kick up a row.They put to rout their fellow
citizens with fireworks.The unflinching Gabin makes a rotund role,he
acts GOOD-HUMOUREDLY, finely,unerringly.His character is a madcap
fantasy man,a hot-spur.
Belmondo is unequaled in providing cinematographic pleasure.And "Un
Singe ..." offers copious Belmondo mastership.
A provincial innkeeper is thrilled to find a mate in the fond of the
bottle stranger who puts up at his inn.The stranger (Belmondo!) is
merry , refined, nimble,spontaneous, youthful, suave.
The two have an allied in the shopkeeper Landru,a quaint, twisted man
who sells old things together with obsolete histories.
Un singe en Hiver is a funny,light fantasy.The humor is mild and
gentle.The characters are entirely fictitious,unrealistic.The situation
is purely fanciful (otherwise,the plot is conventional,the poetry is
cheap,gooey and low,the "wisdom" is fake).It shows what is hardening ,
narrow, smothering, stifling, in the provincial way of life,and also
suggests an alternative.The movie lives by the performances given by
Gabin and Belmondo.Belmondo is in fine fettle,unimaginably good in his
role as a dreamy drunk and as a gourmet.He is as mad as a March hare.
Un singe en Hiver is not great cinema,not a 10/10 movie;but it is
entertaining and mild,jovial and nicely done.And,above all,it offers
one of the great, unhesitating, fragrant,fulfilled,graceful,
unexampled,frolicsome, freely done Belmondo roles.Nonetheless,I think
the movie is a little overrated by some.
"Un Singe ..." is one of the few important shows about dreaminess
(though not on the same level as "Barfly" and "Days of Wine and Roses "
).It gets a fairy-like,ONEIRICAL thrill,suave,tender,delicate.
My favorite Belmondo shows are Pierrot Le Fou (1965) ,À bout De soufflé
,L' Homme De Rio,La Sirène Du Mississipi.
5 out of 5 people found the following review useful:
Gabin falls off the wagon, 2 July 2009
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Author:
Bob Taylor (bob998@sympatico.ca) from Canada
Albert Quentin (Gabin) is running a small hotel in a coastal town in
Normandy. He and his wife (Suzanne Flon)have settled down to a dull,
peaceful existence heading into old age, when Fouquet (Belmondo), a
young man gifted in flamenco dancing and getting very drunk, erupts
into their lives. Soon all is turned upside-down, the teetotalling
Quentin starts drinking again, and the town is treated to the most
spectacular impromptu fireworks display that I can recall seeing in a
movie. And that's not all... The acting is good all round: Gabin and
Belmondo play off each other very well, Suzanne Flon strikes the right
wistful and optimistic notes, and Noel Roquevert is very funny as the
owner of a boutique where you can buy just about anything, including
fireworks. Gabrielle Dorziat (of Les Parents terribles) has a nice
cameo as the director of a girl's school who insists on speaking
English.
Henri Verneuil was a very popular director from the 50's to the 70's;
without being a real auteur he had a talent for pleasing the audience.
Un singe en hiver follows Mélodie en sous-sol with its fine Gabin-Delon
pairing, and gave me a lot of pleasure.
2 out of 2 people found the following review useful:
To watch, 18 January 2011
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Author:
babotango from Linyi, China
A splendid movie for everyone who had a dream and/or came back from it.
About dream, excess, life, boredom, and going beyond what life gives
you. And alcohol. To watch.
The actors are splendid, both at the best of their style, Gabin, an
established, grounded man with a vision, Belmondo as a bold and
hot-tempered, troubled young man. Suzanne Flon, Paul Frankeur and Noel
Roquevert also strongly support the scenario in their 2nd roles.
The dialogues by Michel Audiard are just splendid. One liners that make
you laugh and think beyond the action and that reflect on yourself.
It's a movie for people who dream further.
Matador, 6 June 2011
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Author:
jotix100 from New York
*** This review may contain spoilers ***
A small coastal town in Normandy is the setting for this story. We are
taken to the last days of WWII as Allied air forces begin bombing the
town. Albert Quentin, a local hotel owner has been drinking heavily
with a buddy at the brothel. It becomes clear they must abandon the
building if they want to save their lives. Quentin makes a promise if
he will be spared of a death: he will stop drinking.
Years go by and Quentin and his wife, Suzanne, are living and managing
their hotel, Stella, located in the center of town. The city showed no
signs of what the bombing it suffered. Gabriel Fouquet arrives one
night and asks to be taken to a hotel. Most of the places are closed
because of the winter season. The driver recommends him to go to the
Stella. As Gabriel gets settled he wants to have a drink, but it is too
late for that at the hotel.
Gabriel is a man with a secret. His own daughter is studying at a local
boarding school run by nuns. Gabriel and he girl has been estranged by
some unknown reason that is not well explained. Eventually, Gabriel and
Albert connect in surprising ways. They see in one another good nature
as well as a friendship that comes from mutual understanding.
Never having seen the film, we had a chance when it showed on a French
channel. The film was directed by Henri Verneuil, an old timer in that
country's cinema, closely associated with Jean Gabin, having worked
with him in a number of pictures together. The screenplay is credited
to Francois Bover and Michel Audiard, the father of director Jacques
Audiard, in an adaptation of Antoine Blondin.
The pairing of Jean Gabin and Jean-Paul Belmondo was a gamble for the
creators of the film. They came from different styles of acting. Mr.
Gabin was a superstar in his native country, having done excellent work
throughout his career. Jean-Paul Belmondo, who was much younger, was a
product of the recent New Wave, which Mr. Gabin detested because the
chaotic style the new directors brought to the cinema. Evidently the
stars show a rapport unimaginable, something that translated in a
friendship off the camera as well.
Suzanne Flon, a character actress, plays Suzanne Quentin. Louis Page,
the director of photography captured the atmosphere of the little town
of Normandy, even taking us to the beaches that saw the Allied invasion
of France by the Allied forces.
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