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The Ugly American (1963)

6.8
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An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country... See full summary »

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(novel), (novel), 2 more credits »
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Title: The Ugly American (1963)

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Nominated for 2 Golden Globes. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
Deong
Sandra Church ...
Marion MacWhite
...
Homer Atkins
Arthur Hill ...
Grainger
...
Emma Atkins
Kukrit Pramoj ...
Prime Minister Kwen Sai
Judson Pratt ...
Joe Bing
Reiko Sato ...
Rachani, Deong's Wife
George Shibata ...
Munsang
Judson Laire ...
Senator Brenner
...
Ambassador Sears
Yee Tak Yip ...
Sawad, Deong's Assistant
Carl Benton Reid ...
Senator at Confirmation Hearing
Simon Scott
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Storyline

An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he's there, MacWhite sees only a dichotomy between the U.S. and Communism. He can't accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman's advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The Most Important Adventure of Our Time! See more »


Certificate:

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Details

Country:

Language:

Release Date:

2 April 1963 (USA)  »

Also Known As:

Der häßliche Amerikaner  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(Westrex Recording System)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

One key role, that of the Sarkhanese Prime Minister, was filled quite capably by a non-professional, Kukrit Pramoj, a prominent Thai newspaper publisher, former Thai Finance Minister, and - as fate would have it - future Prime Minister (1975-76). Speaking in Bangkok the day after its world premiere, the film's star Marlon Brando brought forth gasps by labeling his precocious co-star a "dissembler, liar and thief." Before shock could turn to indignation, Brando - straight face intact - quickly broke the stunned silence. "Mr. Kukrit told me he couldn't act, and then proceeded to prove he could act and in fact acted me off the screen. He stole the whole show." See more »

Goofs

The steering wheel of the taxi cab is on the wrong side. See more »

Connections

Referenced in Team America: World Police (2004) See more »

Soundtracks

Annie Laurie
(uncredited)
Music by Lady John Scott; poem by William Douglas (1672-1748)
Excerpt performed unaccompanied by Marlon Brando
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
As Riveting As Ever.
26 August 2013 | by (Canada (See all of my reviews!)) – See all my reviews

I remember first seeing "The Ugly American" upon its initial release in 1963, and I equally remember immediately linking it with what was happening in Viet Nam. I found it absorbing and timely then just as I do today.

As the American ambassador with a total white hat/black hat mentality, Marlon Brando in my opinion gives one of his best performances. There's the shouting and the strutting, but there are also some very, eerily quiet, contrasting moments when he simply lets the frustration of his character all hang out.

As his former best friend and now rebel leader of the fictional Sarkan to which Brando's Ambassador White has been posted, Ejii Okada is every bit Brando's equal. Their sharp exchanges are riveting, as is so much of the dialogue in this film, dialogue-heavy moments that I do not personally find boring because what they are discussing strikes me as being as important today as in 1963 when this film was first released.

I do recognize that some reviewers were terribly disappointed (maybe even offended) that the film was not a recapitulation of an apparently well written, highly complex novel which I haven't read yet but intend to if I can find a copy. However, no matter how great the book, shouldn't a film be judged as a film because it is not a book? For one thing, movies don't have the luxury of an endless running time, a constraint not put upon the number of pages needed to tell a print story. Also, is not the punctuation, grammar and syntax of image quite different than that of print?

Finally, as others have said, it is too bad (a) "The Ugly American" has been mostly forgotten (if it has ever been heard of) and (b) the powerful message that ends this picture is still as relevant today as it was in 1963. Indeed, if anything it is even more (very sadly) spot-on than it was then.


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