Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in the fictional town of Maycomb, Alabama a racially divided Alabama town, set in the early 1930s, and modeled after Monroeville where Harper Lee grew up. Finch agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it effect any changes in racial attitudes in Maycomb? Written by
Brian Daly <firstname.lastname@example.org>
Gregory Peck journeyed to Monroeville, Alabama with Robert Mulligan and Alan J. Pakula to meet Harper Lee's ailing father. True to the story, Amasa Lee really had been a widower who raised his children single handed, a man who at the same time was always ready to defend a black man falsely accused of crimes he did not commit. That experience of meeting the actual man aided Peck's performance immeasurably. See more »
When Scout and her brother are going to the pageant, she's dressed as a ham. In the closeups you can see that the "ham" is actually made of fiberglass.
Fiberglass was invented in 1938 while the film takes place in 1932. See more »
I was to think of these days many times. Of Jem, and Dill, and Boo Radley, and Tom Robinson, and Atticus. He would be in Jem's room all night, and he would be there when Jem waked up in the morning.
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After studying the outstanding book of To Kill A Mockingbird at school, I viewed this film, and was on the whole very impressed. Scout and Jem are portrayed brilliantly, considering the ages of the children who played them, and they, as with everything else in the production, are true to the book's spirit. Gregory Peck is perfect as the unflappable Atticus Finch, and deserved his Oscar. The music is worthy of praise, especially for the climatic scene, and the raw emotion and feeling of the book is amply conveyed. All of the cast are well cast, and it's interesting to ponder how much this film, at the time, would've shocked. That the book explores racism and outsiders in a southern town, through the eyes of a child is genius and works very nicely here. The only problems are minor- much of the book's counter-balancing humour was left out, certain characters are omitted (Dolphus Raymond and Aunt Alexandra), and some of the book's early characterisation is missed. Aside from these gripes, this is a magical film and a "must-see," as a companion piece to the classic novel. 9/10
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