Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in the fictional town of Maycomb, a racially divided Alabama town, set in the early 1930s, and modeled after Monroeville where Harper Lee grew up. Finch agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it effect any changes in racial attitudes in Maycomb? Written by
Brian Daly <email@example.com>
While Atticus gets his papers together in the courtroom after the verdict you see a water glass next to the pitcher on the judge's desk (at 1:42:43). In the next shot, as he walks out, there is no glass, just the pitcher (at 1:42:48 and 1:43:06). Similarly, at 1:10:58, the glass is setting slightly behind the pitcher as Sheriff Tate confirms Mayella was beaten about her right eye, but is not there at 1:11:07 as Atticus walks up to Sheriff Tate. Note that when the glass sets further back than the pitcher, it can be concealed by the pitcher when viewed from some angles. See more »
Miss Stephanie Crawford:
There's a maniac lives there and he's dangerous... I was standing in my yard one day when his Mama come out yelling, 'He's killin' us all.' Turned out that Boo was sitting in the living room cutting up the paper for his scrapbook, and when his daddy come by, he reached over with his scissors, stabbed him in his leg, pulled them out, and went right on cutting the paper. They wanted to send him to an asylum, but his daddy said no Radley was going to any asylum. So they locked him up in the ...
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The title is revealed in a child's crayon rubbing. See more »
Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).
"To Kill a Mockingbird" rises to the top of the pile easily.
Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.
The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.
"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.
Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.
If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.
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