Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in the fictional town of Maycomb, a racially divided Alabama town, set in the early 1930s, and modeled after Monroeville where Harper Lee grew up. Finch agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it effect any changes in racial attitudes in Maycomb? Written by
Brian Daly <email@example.com>
By the time filming was over, Amasa Lee had died. Harper Lee showed her immense appreciation for the actor's performance by presenting to Gregory Peck her father's gold pocket watch, the one he had carried with him to court for 40 years. The priceless timepiece was in Peck's pocket when he collected his Academy Award® for Best Actor on April 8, 1963. See more »
Scout's hair changes from slightly parted to not parted while standing next to Jem, just after Atticus shoots the rabid dog. See more »
Do you know what a compromise is?
Bendin' the law?
Uh, no. It's an agreement reached by mutual consent. Now, here's the way it works. You concede the necessity of goin' to school, we'll keep right on readin' the same every night, just as we always have. Is that a bargain?
See more »
The title is revealed in a child's crayon rubbing. See more »
Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).
"To Kill a Mockingbird" rises to the top of the pile easily.
Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.
The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.
"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.
Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.
If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.
147 of 179 people found this review helpful.
Was this review helpful to you?