An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ? Written by
Colin Tinto <email@example.com>
Truman Capote, who grew up with Harper Lee, also knew the inspiration for "Boo" Radley, and had planned to base a character on him in one of his short stories. After seeing how well the character was realized in Lee's novel, however, he decided against it. See more »
When Scout and Jem are debating Jem going back to retrieve his trousers from Boo Radley's, Scout can be seen mouthing Jem's lines. See more »
There are some things that you're not old enough to understand just yet. There's been some high talk around town to the effect that I shouldn't do much about defending this man.
If you shouldn't be defending him, then why are you doing it?
For a number of reasons. The main one is that if I didn't, I couldn't hold my head up in town. I couldn't even tell you or Jem not to do somethin' again.
[he puts his arm around her]
You're gonna hear some ugly talk about this in school. But I want you to ...
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After studying the outstanding book of To Kill A Mockingbird at school, I viewed this film, and was on the whole very impressed. Scout and Jem are portrayed brilliantly, considering the ages of the children who played them, and they, as with everything else in the production, are true to the book's spirit. Gregory Peck is perfect as the unflappable Atticus Finch, and deserved his Oscar. The music is worthy of praise, especially for the climatic scene, and the raw emotion and feeling of the book is amply conveyed. All of the cast are well cast, and it's interesting to ponder how much this film, at the time, would've shocked. That the book explores racism and outsiders in a southern town, through the eyes of a child is genius and works very nicely here. The only problems are minor- much of the book's counter-balancing humour was left out, certain characters are omitted (Dolphus Raymond and Aunt Alexandra), and some of the book's early characterisation is missed. Aside from these gripes, this is a magical film and a "must-see," as a companion piece to the classic novel. 9/10
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