An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ? Written by
Colin Tinto <email@example.com>
Atticus Finch is modeled on Harper Lee's own father, Amasa Lee, an attorney whose 1923 defense of a black client inspired the novel's trial. Gregory Peck met with Amasa Lee - then 82 years old - and formed a strong bond with him. Unfortunately Lee died during filming, so his daughter Harper gave Peck his watch and chain. Peck was wearing that same watch and chain at the Academy Awards the following year when he won the Oscar for Best Actor. See more »
There isn't a mountain within 200 miles of South Alabama where the film takes place. However, mountains are clearly visible as part of the landscape in several shots throughout the movie. See more »
[Atticus on the porch overhearing their conversation]
How old was I when Mama died?
How old were you?
Old as I am now?
Was Mama pretty?
Was Mama nice?
[...] See more »
The title is revealed in a child's crayon rubbing. See more »
After studying the outstanding book of To Kill A Mockingbird at school, I viewed this film, and was on the whole very impressed. Scout and Jem are portrayed brilliantly, considering the ages of the children who played them, and they, as with everything else in the production, are true to the book's spirit. Gregory Peck is perfect as the unflappable Atticus Finch, and deserved his Oscar. The music is worthy of praise, especially for the climatic scene, and the raw emotion and feeling of the book is amply conveyed. All of the cast are well cast, and it's interesting to ponder how much this film, at the time, would've shocked. That the book explores racism and outsiders in a southern town, through the eyes of a child is genius and works very nicely here. The only problems are minor- much of the book's counter-balancing humour was left out, certain characters are omitted (Dolphus Raymond and Aunt Alexandra), and some of the book's early characterisation is missed. Aside from these gripes, this is a magical film and a "must-see," as a companion piece to the classic novel. 9/10
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