Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ? Written by
Colin Tinto <email@example.com>
The first scene that Gregory Peck shot showed him returning home from his character's law office while his children ran to greet him. Harper Lee was a guest on the set that day, and Peck noticed her crying after the scene was filmed. "Why are you crying?" Peck asked. Peck had looked just like her late father, the model for Atticus, Lee explained; Peck even had a little round pot belly like her father's. "That's not a pot belly, Harper," Peck told her, "That's great acting." See more »
In the very beginning of the film, the adult Scout's narrates, "Maycomb was a tired, old town, even in 1932 when I first knew it." Moments later, she goes on to say that "Maycomb County had recently been told that it had nothing to fear but fear itself" in clear reference to Franklin D. Roosevelt's first inaugural address. Roosevelt, however, did not deliver this speech until March 4, 1933. See more »
You can pet him, Mr. Arthur. He's asleep. Couldn't if he was awake, though; he wouldn't let you. Go ahead.
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The title is revealed in a child's crayon rubbing. See more »
Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).
"To Kill a Mockingbird" rises to the top of the pile easily.
Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.
The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.
"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.
Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.
If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.
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