Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in the fictional town of Maycomb, Alabama a racially divided Alabama town, set in the early 1930s, and modeled after Monroeville where Harper Lee grew up. Finch agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it effect any changes in racial attitudes in Maycomb? Written by
Brian Daly <firstname.lastname@example.org>
Robert Duvall stayed out of the sun for six weeks and dyed his hair blond for the role of Boo Radley who, according to the story, spent much of his life as a recluse. The character of Arthur "Boo" Radley is based in part on Harper Lee's recollection of Alfred "Son" Bouleware, who lived with his parents in a dilapidated, mostly boarded-up house just a few doors away from the Lee home. He was kept secluded in the house by his father, following a vandalism incident in which young Alfred was involved. Described in the book and in the movie as leaving the house only at night because the sun hurt his eyes, this would indicate that Boo Radley was a person of Albinism (lack of pigment in the skin, in the hair, and in the irises of the eyes.) See more »
While lying unconscious in his bed after Boo Radley carries him back home, Jem's head is seen in several different positions. See more »
If you just learn a single trick, Scout, you'll get along a lot better with all kinds of folks. You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it.
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Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).
"To Kill a Mockingbird" rises to the top of the pile easily.
Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.
The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.
"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.
Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.
If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.
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