Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ? Written by
Colin Tinto <firstname.lastname@example.org>
Atticus Finch is modeled on Harper Lee's own father, Amasa Lee, an attorney whose 1923 defense of a black client inspired the novel's trial. Gregory Peck met with Amasa Lee - then 82 years old - and formed a strong bond with him. Unfortunately Lee died during filming, so his daughter Harper gave Peck his watch and chain. Peck was wearing that same watch and chain at the Academy Awards the following year when he won the Oscar for Best Actor. See more »
During the opening credits, when the marbles are rolling, several members of the camera crew are reflected in the marble. See more »
May I see your watch? "To Atticus, My Beloved Husband." Atticus, Jem says this watch is gonna belong to him some day.
Well, it's customary for the boy to have his father's watch.
What are you gonna give me?
Well, I don't know that I have much else of value that belongs to me... But there's a pearl necklace; there's a ring that belonged to your mother. And I've put them away, and they're to be yours.
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After studying the outstanding book of To Kill A Mockingbird at school, I viewed this film, and was on the whole very impressed. Scout and Jem are portrayed brilliantly, considering the ages of the children who played them, and they, as with everything else in the production, are true to the book's spirit. Gregory Peck is perfect as the unflappable Atticus Finch, and deserved his Oscar. The music is worthy of praise, especially for the climatic scene, and the raw emotion and feeling of the book is amply conveyed. All of the cast are well cast, and it's interesting to ponder how much this film, at the time, would've shocked. That the book explores racism and outsiders in a southern town, through the eyes of a child is genius and works very nicely here. The only problems are minor- much of the book's counter-balancing humour was left out, certain characters are omitted (Dolphus Raymond and Aunt Alexandra), and some of the book's early characterisation is missed. Aside from these gripes, this is a magical film and a "must-see," as a companion piece to the classic novel. 9/10
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