An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ? Written by
Colin Tinto <email@example.com>
After speaking with Mrs. Dubose, Scout, Jem and Dill walk with Atticus towards the Finch home. When the camera angle shifts, Dill is no longer walking with them, but is all the way on the other side of the house walking towards them. See more »
Well, I said I best be goin', I couldn't do nothin' for her, an' she said, oh, yes I could. An' I asked her what, and she said to jus' step on the chair yonder an' git that box down from on top of the chifforobe. So I done like she told me, and I was reachin' when the next thing I know she... grabbed me aroun' the legs.
[a murmur erupts in the courthouse]
She scared me so bad I hopped down an' turned the chair over. That was the only thing, only furniture 'sturbed in the room, Mr. ...
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The title is revealed in a child's crayon rubbing. See more »
Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).
"To Kill a Mockingbird" rises to the top of the pile easily.
Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.
The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.
"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.
Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.
If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.
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