IMDb > The Damned (1963)
The Damned
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The Damned (1963) More at IMDbPro »


Overview

User Rating:
6.9/10   542 votes
MOVIEmeter: ?
Down 14% in popularity this week. See why on IMDbPro.
Director:
Writers:
Evan Jones (screenplay)
H.L. Lawrence (novel)
Contact:
View company contact information for These Are the Damned on IMDbPro.
Release Date:
7 July 1965 (USA) more
Genre:
Tagline:
Come At Your Own Risk ... If You Come Alone! more
Plot:
Legal and illegal criminality. An American tourist with a boat is robbed by a gang of teenager boys... more | full synopsis
NewsDesk:
Lots of NYC-area horror screenings for Halloween & beyond
 (From Fangoria. 31 October 2008, 11:02 AM, PDT)

User Comments:
Much deeper than it appears? more (35 total)

Cast

  (Cast overview, first billed only)
Macdonald Carey ... Simon Wells
Shirley Anne Field ... Joan
Viveca Lindfors ... Freya
Alexander Knox ... Bernard

Oliver Reed ... King
Walter Gotell ... Major Holland
James Villiers ... Captain Gregory
Tom Kempinski ... Ted (as Thomas Kempinski)
Kenneth Cope ... Sid
Brian Oulton ... Mr. Dingle
Barbara Everest ... Miss Lamont
Allan McClelland ... Mr. Stuart (as Alan McClelland)
James Maxwell ... Mr. Talbot
Rachel Clay ... Victoria
Caroline Sheldon ... Elizabeth
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Additional Details

Also Known As:
These Are the Damned (USA)
more
Runtime:
87 min | 96 min (director's cut)
Country:
Language:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (RCA Sound Recording)
Certification:
UK:12 (VHS rating) | UK:X (original rating) | Finland:K-16 | Norway:15 | Sweden:15

Fun Stuff

Quotes:
King: I'm strange, all right! I'll show you just how strange I am! more
Movie Connections:

FAQ

This FAQ is empty. Add the first question.
3 out of 3 people found the following comment useful.
Much deeper than it appears?, 29 August 2007
7/10
Author: ldoig (ldoig@hotmail.com) from London, England

I saw this recently on a late night "British Film Celebration" series, showing various odds and sods of yester-year. In some ways I wished I had videoed it now, as thinking about it afterwards (and thinking about it is certainly something you'll do)there's clearly something going on with the characterisation that was far more important than lets on at first. A second viewing was perhaps needed, certainly the characters don't seem quite fleshed out and when thinking about it I was wondering if that was the point. But here's what I mean by the characters:

- The spiritually hurt "old/young" man played (and in fairness, perhaps miscast) by MacDonald Carey, desperate in some way to "complete" himself; the numerous old English establishment/power figures, feeling out of time and place, as if powerless to deal with the worlds changes, still "in" power but somehow no longer; the devout artist, passionate about her work, which in itself is a little dehumanising (there is a great, heart rending scene, where she cries in agony as Oliver Reed destroys some of her art work, that will stay with me for a while); the young girl unable to "become" what she wants, perhaps of her "possessive" brother, who really genuinely wants to protect her from the evils of the world; the emotionless children, full of potential but ultimately radioactive and poison, and most of all the "angry young men" lead masterfully by Oliver Reed, They represent the irrational human, simply wanting to "be" and nothing more.

While trying to follow some sort of standard narrative, there seems to be something else going on in this film that is talking about a far wider, human theme with actually makes it much more of a "pure" science fiction/philosophical film than it maybe gets credit for. Yes, you can look at it at face value and ultimately see it as nothing more than a curious English B movie, but...

The film moves very slowly, but its shift from what looks to be a critique on teenagers turns into a science fiction film with a very gritty message about human survival and with its grim ending its something you tend not to see much in films, either then or now.

Perhaps I am reading FAR too much into the film, but cold war polemic aside there seems to be something far more rhetorical being said about "radiation" and the death of humanity/culture/civility. There seems to be comments made on how the individual deals with a world that can face potential catastrophic change at any moment which will deny you your very humanity and dignity. I'm not saying the film does this successfully, but nonetheless it's a very interesting "attempt" and well worth a little look.

Oh...and as for the "Black Leather, Black Leather, Smash, Smash, Smash" song. Well, it's interesting... Maybe there's a comment being made there too...about inanity? Perhaps I need to get out more.

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