Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »
A business tycoon decides to wed a Middle Eastern princess whose customs dictate the pair must live apart for several months before marrying; even more complications settle in when the tycoon's ex-fiancée is assigned to chaperone the pair.
Cathy Timberlake is an old fashioned country girl who meets the man of her dreams, Philip Shayne, after his Rolls Royce splashes her with mud on her way to a job interview. Philip is a romantic businessman who is taken by Cathy's honest heart. There's one problem, he's not interested in marriage while Cathy has never thought of anything else. Written by
When Philip and Cathy are driving up to the hotel in Bermuda:
1. He is driving on the right side of the road (In Bermuda you drive on the left); 2. He is driving a French Citroën DS19 car with the steering wheel on the left (virtually unknown in Bermuda, where they drive small British cars with the steering wheel on the right); and, 3. He is driving himself (Bermuda doesn't have car rental and only residents are allowed to own cars). See more »
[Cathy is rushing off to meet Philip, over Connie's objections]
Connie, this is terribly important to me. I've got to *prove* to him that I'm a woman!
[calls after her]
Well, there are easier ways to do it. Send him your birth certificate!
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Closing credits: Our special thanks to Bergdorf Goodman for being Bergdorf Goodman. See more »
I would not place 'Touch Of Mink' with the likes of Tarkovsky's films, but I will say that it is a beautifully-filmed fantasy that is really titillatingly funny in a genuinely charming way. Even the most serious film viewers cannot deny the smiles that are inevitable when Doris is on the screen. The film's story evolves when two lives are randomly thrown together - that of a hard-working waitress and a rich bachelor playboy. What ensues is delicious full-on Technicolor romantic comedy.
There are also some classic moments: The hand emerging from the 'atuomatic' restaurant where Doris and Audrey work to smack the face of a particularly offending male patron (those where the days when a woman could smack a man in a film and get great laughs...) - Doris's fantasy sequence as she's driven through the streets in a bed - with a man - and they're NOT MARRIED! It's a harmless, light film that still has such a centered beauty and sophistication that shows off the bright side of Hollywood-produced films of that era. As previous posters have commented, HD Digital video just cannot produce the same wonderful hues of celluloid - and there is something irresistible about Ms. Day in this film - her character's innocence is rather genuine, as is her male lead (Cary Grant) who obviously loves her for his ability to win her over with gifts and his own brand of charm.
I think it's important to have a second look at many of Doris Day's films in the lights of the 21st century. Touch of Mink, in particular, holds a dream-bubble of blissful idealism and moral irony that has incredible resonance today, when so many have found that we must reexamine our attitudes toward casual sex. This is the central core of the film, and many would now see's Ms. Day's character's reaction to such a thought as far more intelligent than when it was viewed in the 1970's- 80's.
Give the film a view; especially on a Friday night when you really, truly want to be entertained by a dazzling screen star.
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