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The Tell-Tale Heart (1960) More at IMDbPro »

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11 out of 11 people found the following comment useful :-
Great version!, 19 August 2006
8/10
Author: Bub_the_zombie

Definitely one of the better takes on the classic Poe story. The acting in this version is simply fantastic. A moody little piece with some risqué' scenes to be of such an early caliber. A very interesting rarity.

The quality of the print isn't great, but has still held up well throughout time, considering... It's a wonder that someone still had the negative.. I was really surprised,as a lot of times, films like these can really be tedious, but not this one.

A welcomed attempt is what this is. One gets the sense that even tho it had been done to death (even previously from 1960) the filmmakers took their approach seriously, with an end result that is creepy and risky.

I'm surprised that more people haven't seen this film, given the fact that it's pretty readily available on a one buck DVD alongside Chiller.

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11 out of 11 people found the following comment useful :-
Builds slowly to some memorable horror scenes, 22 February 2001
Author: pmsusana from New Orleans, Louisiana

One critic described this film as "A real bore"; I vigorously disagree. It has its flaws - modern audiences would probably find it slow to start, and that blaring backround music detracts from a few scenes - but it does build slowly to some wonderfully creepy and horrific scenes during the second half which are well worth hanging on for. I was also impressed with the sincerely tormented performance of Laurence Payne in the central role.

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8 out of 8 people found the following comment useful :-
$1 well spent, 31 December 2006
7/10
Author: Zombie_CPA from United States

This was $1 well spent at Wal-Mart yesterday. The acting is this film was very solid. Adrienne Corri was sexy and perfect for the role of Betty. You could tell of her disinterest in poor Edgar by her head and body language. Laurence Payne did a fantastic job as Edgar too. You really believed that he was going mad.

This is a nice slow-burn horror movie that comes to a great climax after slowly building suspense. It is available in a $1 DVD with Chiller. I purchased it for Chiller, but decided to watch Tell-Tale Heart first. This movie was a great surprise. The movie also has great atmosphere and a solid story. Tell-Tale is my favorite Poe short story and it was brought to life wonderfully is this 1960's gem.

Go to Wal-Mart and buy it today.

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8 out of 8 people found the following comment useful :-
Heart in the Right(Wrong?) Place, 23 May 2002
Author: Geisterzug from Newcastle upon Tyne, England

I completely agree with the first reviewer.

A little gem - co-written by Brian Clemens (who went on to create THE AVENGERS, THE PROFESSIONALS etc.)

A surprising 'sexuality' about the proceedings. Utterly passe now, but it must have been a little intense and 'naughty' at the time. The slow-burn attraction between Walsh and Adrienne Corri is quite good. And given that the Danzigers' track record for British B movies is not brilliant - this one certainly tries to deliver the goods. The murder scene, and the gore content, is quite graphic for its time. 1961, remember? (I suspect there would have been British censor trouble then, had the movie been filmed in colour).

Trivia: Co-star Dermot Walsh was married at the time to Hazel Court (of Hammer/Roger Corman movie fame.) Walsh then went on to star in the Danzigers' TV series: RICHARD THE LIONHEART. I can still sing the title song on request. Sad, eh? And how Dermot maintains that high quiff-hairstyle is an astonishment. Laurence Payne (who I've always liked and was co-star in THE TROLLENBERG TERROR/THE CRAWLING EYE),lost an eye in the early sixties during a fencing scene in his British TV series SEXTON BLAKE. Great casting for that part, I always thought. He was always good.)Bar tender Frank Thornton, who has two brief scenes, went on to great success as a comedy character actor in theatre, and British TV (eg ARE YOU BEING SERVED?)

Geisterzug

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5 out of 5 people found the following comment useful :-
Excellent Move, 30 October 2006
10/10
Author: trinityann8423-1 from Kentucky

I actually enjoyed this movie.I am a huge horror fan. I read scary books and love scary movies, Edgar Allen Poe is one of the authors I've enjoyed since I was a child. I received this movie as a gift from work for Halloween.I found out that it had only been a dollar plus it had the movie "Chiller" on it. It was a lot better than I thought it would be. A lot of movie adaptations of classic stories aren't nearly as good as the stories but I believe this one was a well done adaptation. It kept my attention from the beginning until the end.The only flaw I guess was that the main female character was too obvious most of the time while the main character, Edgar, seemed pretty oblivious at the beginning.Other than that, very good acting, I was pretty impressed.

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4 out of 4 people found the following comment useful :-
a good variation from the written Poe..., 18 February 2007
8/10
Author: dseast from United States

The original murder of an old man is not seen in this movie, but a more interesting and prolonged plot involving love and betrayal. The main character, named Edgar Poe, seems a bit unstable from the very beginning, if not just plain creepy. The theme and feel of the original work is alive in this picture as our main character slowly progresses into psychological deterioration. Good climax and plenty of classic gore for a black and white film.

I think Poe would have liked this one.

I too bought this as part of a double feature for $1 at Wal-Mart, and tax free in New Hampshire no less. Great find if you happen upon it!

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2 out of 2 people found the following comment useful :-
Edgar, 8 December 2007
8/10
Author: kai ringler (kairingler@sbcglobal.net) from United States

This story is one of the all time favorites of mine, whether on film, or in the book, you can't help but be drawn to it. Always have been a big fan of Edgar Allen Poe , going all the way back to childhood. This particular movie i think does the book a lot of justice, although the female lead character is kinda a little over the top obvious , but other than that, hey the movie really works for me, it doesn't really drag, you feel so sorry for Edgar plodding along in the movie after that girl, i kept telling him Edgar don't tell her about you're best friend, why would you do that, guess he doesn't have to much brains with woman at the time. the plot in the movie was great. although a bit worn, but the music, omg was excellent, very creepy, well done, really there ain't nothing hardly wrong with the movie, if you can overlook the female lead's obvious obnoxiousness then you got it made.

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2 out of 2 people found the following comment useful :-
Very good Poe adaptation, 2 November 2007
8/10
Author: Skragg from United States

Like a few of you, I found this on an inconspicuous DVD along with "Chiller," and I just saw it a few hours ago. This film is as good at "stretching out" a short Poe story as the AIP movies (and I'm VERY attached to those). I'm not familiar with Lawrence Payne, but he was great in the part, as were the Dermot Walsh and Adrienne Corri. But I didn't realize Frank Thornton was the barman till I read it here - I'll have to watch for him next time. As for the ending - which I won't give away here - some people might see it as a "cop-out" ending, but I think it works perfectly well. As some of you say, the "risque" side of this film was slightly surprising for a film of 1960 - I kept thinking I was seeing a Hammer film (minus the cleavage!).

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1 out of 1 people found the following comment useful :-
The Tell-Tale Heart, 6 April 2009
8/10
Author: Scarecrow-88 from United States

*** This comment may contain spoilers ***

A pitiable, terribly timid librarian, Edgar Marsh(Lawrence Payne, who is superb), falls head over heels for a new neighbor, a flower sales-girl who lives across the street. This lovely creature is Betty Clare(Adrienne Corri)and she agrees to date Edgar out of sympathy for his pathetic nature, but soon is attractively drawn to his best friend, playboy Carl Loomis(Dermot Walsh), a ladies' man with quite a reputation around the place. Carl, at first, resists Betty who clearly displays arousing affection for him, but soon accepts a sexual invitation for which a gullible Edgar sees from his window(..he often watches her undress, the voyeur that he is). Edgar, who had spent a considerable amount of money and time on Betty, reacts hostilely to Carl's betrayal by attacking him with a fireplace poker, burying the body under a floor board. This act of violence, haunts him as he hears the loud pounding of Carl's heart beat, which rarely ceases, plaguing him night after night. Succumbing to drink and madness, it's only a matter of time before he cracks. Meanwhile, Betty pursues the answer as to why Carl hasn't returned to her, suspicious since he proclaimed their future betrothal after he broke the news of their engagement and love affair to Edgar.

I think this was a really nice surprise. Director Ernest Morris builds the torment existing within Edgar's soul slowly, over time, using the movement of objects, simple but effectively spooky tricks anchored by Payne's pitch-perfect portrayal of a rather feeble man whose guilty conscience starts to erode his psyche, and his already fragile mental state slowly crumbles..and Morris uses images and sounds such as a water faucet dripping, a clock ticking, a chess piece rolling on a board back and forth(..wonderful symbolism, to boot, since Edgar and Carl played chess all the time), and a rug moving up and down symbolizing the supposed beat of a heart. Corri is ideally cast as the lustful object of Edgar's affections, and she's incredibly sexy which provides an understanding as to the infatuation of the film's protagonist and why he'd constantly obsess over her, to the point that he'd kill his best friend as a result. Great use of silence(..accompanied by the variety of sounds I mentioned above), as well, pointing out Edgar's isolation as the heart beats and he can not escape it, eventually cutting it from Carl's chest, looking at it thump, finally burying it. I think the filmmakers(..and, especially Payne) effectively convey this poor loser's slow descent into hysteria. Bravura job for all concerned..a real sleeper, see it of you get the chance. A word of warning, though..this is a slow burner, a film that takes it's time, allowing all the elements to take shape.

MAJOR SPOILER: Maybe, the twist at the end is a bit of a drag(..the whole "it's all a dream" aspect), but Edgar is quite a whimpering chap, so he deserves some sympathy, which may be why he's spared.

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Not enough plot to fill the running time, 23 April 2009
6/10
Author: The_Void from Beverley Hills, England

The Tell-Tale Heart is one of the best known of Edgar Allen Poe's works; and I was surprised that I had not seen a film based on it. The original story is just a short story, and while there have been many versions of this tale committed to screen; most of them are only shorts themselves; thus making this film one of the few feature length editions of the story. Well...after having seen it, I have to admit that I'm not surprised there aren't more feature length versions because really there isn't enough plot to stretch to such a long running time. Thus, most of the story of this film has no relation to Poe's original story. We focus on a man named Edgar (a bit of a ham-fisted reference if you ask me); a quiet man that lacks experience with women. When he notices a young lady named Betty in a house across the street; he resolves to romance her and asks his close friend Carl for advice on how to speak to women. He and Betty are getting on well; until he discovers that Carl and Betty are also getting on well, and so Carl is murdered.

The film is shot in black and white and looks really cheap throughout. Director Ernest Morris appears not to have the resolve to elevate the film above the mundane and also fails to get a good performance out of his any of his (relatively) unknown cast; which renders the whole production rather bland. Of course, the whole film is just build up to the inevitable situation whereby the murderous central character is haunted by the echoes of the beating heart from the man he has killed, and this leaves most of it feeling rather pointless. To the film's credit, however, it does handle Poe's actual story well and things do become much more interesting once we reach the main part of the film. This version of The Tell-Tale Heart never really gets into the psychological side of Poe's original story; and the reason for that really just goes back to the characters, which aren't interesting enough. Overall, this is really a lacklustre effort and I wouldn't recommend tracking it down; this story is more suited to a short film anyway, and I'm sure that at least one of the many short film versions is superior to this effort.

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