| Photos (See all 40 | slideshow) | Videos (see all 2) |
| Vincent Price | ... | Locke / Fortunato Luchresi / Ernest Valdemar | |
| Maggie Pierce | ... | Lenora (segment "Morella") | |
| Leona Gage | ... | Morella (segment "Morella") | |
| Peter Lorre | ... | Montresor (segment "The Black Cat") | |
| Joyce Jameson | ... | Annabel (segment "The Black Cat") | |
| Basil Rathbone | ... | Carmichael (segment "The Case of M. Valdemar") | |
| Debra Paget | ... | Helene (segment "The Case of M. Valdemar") | |
| David Frankham | ... | Dr. James (segment "The Case of M. Valdemar") | |
| Lennie Weinrib | ... | Policeman (segment "The Black Cat") | |
| Wally Campo | ... | Barman Wilkins (segment "The Black Cat") | |
| Alan DeWitt | ... | Chairman of Wine Society (segment "The Black Cat") (as Alan DeWit) | |
| John Hackett | ... | Policeman (segment "The Black Cat") | |
| Edmund Cobb | ... | Driver (segment "Morella") (as Ed Cobb) | |
| Scott Brown | |||
| rest of cast listed alphabetically: | |||
| Jack Tornek | ... | Wine Society Member (segment "The Black Cat") (uncredited) | |
Directed by | |||
| Roger Corman | |||
Writing credits | ||
| Edgar Allan Poe | (stories Morella, The Black Cat, The Facts in the Case of M. Valdemar, and A Cask of Amontillado) | |
| Richard Matheson | screenplay | |
Produced by | |||
| Samuel Z. Arkoff | .... | executive producer | |
| Roger Corman | .... | producer | |
| James H. Nicholson | .... | executive producer | |
Original Music by | |||
| Les Baxter | |||
Cinematography by | |||
| Floyd Crosby | (director of photography) | ||
Film Editing by | |||
| Anthony Carras | |||
Production Design by | |||
| Daniel Haller | |||
Art Direction by | |||
| Daniel Haller | |||
Set Decoration by | |||
| Harry Reif | |||
Makeup Department | |||
| Lou LaCava | .... | makeup artist (as Lou La Cava) | |
| Ray Forman | .... | hair stylist (uncredited) | |
Production Management | |||
| Robert Agnew | .... | unit manager | |
| Bartlett A. Carre | .... | production manager (as Bartlett A. Carré) | |
Second Unit Director or Assistant Director | |||
| Jack Bohrer | .... | assistant director | |
Art Department | |||
| Ross Hahn | .... | construction coordinator | |
| Richard M. Rubin | .... | property master (as Dick Rubin) | |
| John Ceniga | .... | props (uncredited) | |
Sound Department | |||
| John L. Bury | .... | sound (as John Bury) | |
| Jack Woods | .... | sound editor | |
Special Effects by | |||
| Pat Dinga | .... | special effects | |
Costume and Wardrobe Department | |||
| Marjorie Corso | .... | wardrobe | |
Music Department | |||
| Eve Newman | .... | music editor | |
| Al Simms | .... | music coordinator | |
Other crew | |||
| Jack W. Cash | .... | production assistant (as Jack Cash) | |
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| The Brothers Grimm | La corta notte delle bambole di vetro | The Prestige | Kings & Queen | Two Evil Eyes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Another of the Roger Corman/Vincent Price films based VERY loosely on three Edgar Allan Poe tales.
The first is "Morella" where a dying girl comes to visit her father (Price) and find out why he abandoned her as a child. It has to do with her mother (Morella) and her death. Well-done but it doesn't make a lot of sense.
"The Black Cat" is about a man (Peter Lorre) finding out his wife is cheating on him with someone else (Price). It's pretty good but Lorre's acting turns it into a comedy more than a horror story.
"The Case of M. Valdemar" has an evil mesmerist (Basil Rathbone) keeping a man's spirit alive while his body wastes away. Well-done with a pretty gruesome ending.
Basically this a good anthology of horror stories. They're well-produced, well-acted and written. Just don't expect them to be anything like the Poe tales (especially "Morella"). GREAT liberties have been taken with the stories--they just use them as a starting point and build on it.
Also try to see it letter-boxed--the pan and scan TV version is pretty terrible.
I give it a 7.