3 horror stories based on the writings of Nathaniel Hawthorne. In the 1st story titled "Dr. Heidegger's Experiment", Heidegger attempts to restore the youth of three elderly friends. In "... See full summary »
Three stories adapted from the work of Edgar Allen Poe. A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. A derelict challenges the local wine-tasting champion to a competition, but finds the man's attention to his wife worthy of more dramatic action. A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences. Written by
David Carroll <firstname.lastname@example.org>
The "Black Cat" segment was recycled for The Comedy of Terrors (1963) (even the presence of a meddlesome cat). Many of the same actors appear in both films, only here Peter Lorre plays the drunk married to devoted Joyce Jameson, with Vincent Price introduced as the third member of the triangle; in "Comedy of Terrors" Price and Lorre exchange roles, and Jameson essentially repeats her performance. Not only that, but Price's line "What place is this?" from the "M. Valdemar" segment of "Tales of Terror" is recycled as a running gag for Basil Rathbone in "Comedy of Terrors". See more »
In the Black Cat tale, after the police knock open the wall and shows close up of Annabel and the cat, you can she her chest move as she exhales a breath. See more »
Classic Corman, Price and AIP drive-in horror with a solid cast.
This film's three segments are roughly based on Poe stories, with writer Richard Matheson adding subplots of adultery and jealousy. In "Morella," there's a dying father and daughter and a dead wife who decides to speed their demise (which Corman would cover again in his film "Tomb of Ligeia"). "The Black Cat" is an elaborated version of "The Cask of Amontilado" with the addition of adultery (and a funny guest part by Peter Lorre). "The Case of M. Valdemar" adds a lecherous hypnotist (Basil Rathbone) to the story of a hypnotized corpse. As in most AIP films, gore is minimal, and innocents rarely suffer (with the possible exception of the daugher in "Morella"). While not a major classic, it's enjoyable, with the charisma of the old cult film stars (Price, Lorre and Rathbone) one of the best elements.
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