Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ...
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Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. While trying to get her help to make a screen test, he also finds the time to meet his former girlfriend Heavenly, the daughter of the local politician Tom 'Boss' Finley, who more or less forced him to leave the town many years ago. Written by
At some point in the early '60s the Greek actress Melina Mercouri expressed interest in the play and stated at that time that she would like to star in the role of Alexandra and have Elvis Presley play the role of Chance. Mercouri was never fond of Presley's music but she strongly felt that Elvis Presley was ideal for that specific role. This information was taken from the book "Melina Mercouri: A Star In America" by Giorgos Archimandritis and Spiros Arsenis. See more »
In the scene where Chance comes from the bathroom with a white towel over his shoulder, at one point, he drops the towel, but an instant later, the towel is back on his shoulder. See more »
SWEET BIRD OF YOUTH may not rate with such Tennessee Williams masterpieces as A STREETCAR NAMED DESIRE and CAT ON THE HOT TIN ROOF, but it's still a top flight piece of entertainment capturing A LOT of great acting. As ne'er-do-well Chance Wayne, Paul Newman creates one of the most memorable of the callous, self-serving characters he would play throughout the '60s. Returning to his hometown as a self-anointed hero, he's pathetic. With fallen movie queen Geralding Page in tow, he sets his sight on the girlfriend he corrupted. As Heavenly Finley, Shirley Knight is heartbreaking. Page and Knight play polar opposites --- Page is a vain, desperate diva while Knight is all inner turmoil...in fact she appears to be trying to turn herself inside out from the shame she feels. Ed Begley plays Knight's father, the ruthless and corrupt "Boss" Finley. Begley had a lot of good roles in his long film career, but this takes the cake. He's rotten to the core. The film is mostly studio bound, but that only enhances the stylish direction by Richard Brooks. The classy supporting cast includes Rip Torn as Boss Finley's degenerate son, Tom Jr., Mildred Dunnock as Newman's unlikely ally and Madeline Sherwood as a vindictive good-time girl.
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