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Sin in the Suburbs (1964)

 -  Drama  -  February 1964 (Japan)
6.7
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Ratings: 6.7/10 from 109 users  
Reviews: 8 user | 6 critic

After discovering that her mother is involved in an adulterous affair, a pretty high school student seeks help from a neighbor. While their trusting bond grows into a deep relationship, a ... See full summary »

Director:

(as Joe Sarno)

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(screenplay)
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Title: Sin in the Suburbs (1964)

Sin in the Suburbs (1964) on IMDb 6.7/10

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Cast

Complete credited cast:
Judy Young ...
Kathy Lewis (as Alice Linville)
W.B. Parker ...
Louis Muse
Audrey Campbell ...
Geraldine Lewis
Dyanne Thorne ...
Yvette Talman (as Lahna Monroe)
Marla Ellis ...
Lisa Francis
Richard Tatro ...
Roy Minton
Derek Crane ...
Scott Lewis
Ella Daphni ...
Peggy Thomas
Charles Clements ...
Cliff Haddison
Wayne Roberts ...
Jimmy Reed
John Aristedes ...
Tad Benton
William Donaldson ...
Larry Harket
Joseph Garri ...
Henry Francis
Mari Kiselle ...
Pam
Carla Conners ...
Teen Age Girl
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Storyline

After discovering that her mother is involved in an adulterous affair, a pretty high school student seeks help from a neighbor. While their trusting bond grows into a deep relationship, a secret sex club for the area's pleasure-seeking women is started. Soon, Mom discovers that her daughter is a member! Written by Stefan Nylen <red@defekt.cinemacabre>

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Taglines:

The sensation clubs! Partners in pleasure! Wild bottle parties! See more »

Genres:

Drama

Certificate:

Not Rated
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Release Date:

February 1964 (Japan)  »

Also Known As:

Love in the Suburbs  »

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Connections

Featured in The Sarnos: A Life in Dirty Movies (2013) See more »

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User Reviews

Interesting Grindhouse/Art Film,"Eyes Wide Open."
1 February 2000 | by (Los Angeles Ca) – See all my reviews

It is too easy to dismiss "Sin In The Suburbs" as mere camp, Joe Sarno has some serious things on his mind and his efforts show results. His movie resembles Cassavettes and Warhol, but I think Sarno was a better filmmaker than either one one of them; he uses a porno house plot to explore the emotional depths of sexuality.

The Suburban milieu is once again viewed as a repressionland but unlike "American Beauty" it is populated not by walking cheap shots, but by real, unsentimental characters. Sarno's method's sound somewhat like Mike Leigh's; but working one imagines under much greater time and budget constraints, his results are more hit and miss. The wall to wall jazz is a big problem.

The Grindhouse boys once took a Bergman Film and tried to sell it as porno, one can only wonder what they made of Sarno;


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