| William Holden | ... | Father O'Banion | |
| Clifton Webb | ... | Father Bovard | |
| France Nuyen | ... | Siu Lan | |
| Athene Seyler | ... | Sister Agness | |
| Martin Benson | ... | Kuznietsky | |
| Edith Sharpe | ... | Sister Theresa | |
| Robert Lee | ... | Chung Ren | |
| Marie Yang | ... | Ho San's Mother | |
| Andy Ho | ... | Ho San's Father | |
| Burt Kwouk | ... | Ah Wang | |
| Weaver Lee | ... | Ho San | |
| rest of cast listed alphabetically: | |||
| Ronald Adam | ... | Father Lemay (uncredited) | |
| Lin Chen | ... | Sister Mary (uncredited) | |
| Anthony Chinn | ... | Ho San's Driver (uncredited) | |
| Noel Hood | ... | Sister Justine (uncredited) | |
| Ric Young | ... | Junior Officer (uncredited) | |
Directed by | |||
| Leo McCarey | |||
Writing credits | ||
| Claude Binyon | (screenplay) and | |
| Leo McCarey | (screenplay) | |
| Pearl S. Buck | (novel "The China Story") | |
Produced by | |||
| Cecil F. Ford | .... | associate producer | |
| Leo McCarey | .... | producer | |
Original Music by | |||
| Richard Rodney Bennett | |||
Cinematography by | |||
| Oswald Morris | (director of photography) | ||
Film Editing by | |||
| Gordon Pilkington | |||
Production Design by | |||
| Thomas N. Morahan | (as Tom Morahan) | ||
Set Decoration by | |||
| Jack Stephens | (uncredited) | ||
Makeup Department | |||
| George Frost | .... | makeup supervisor | |
| Bill Griffiths | .... | chief hairdresser | |
Production Management | |||
| Jack Swinburne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David W. Orton | .... | first assistant director (as David Orton) | |
Art Department | |||
| John Hoesli | .... | assistant art director | |
| Jim Morahan | .... | associate art director | |
| Jack Stephens | .... | set dresser | |
| John Graysmark | .... | set designer (uncredited) | |
Sound Department | |||
| John Bramall | .... | sound recordist | |
Camera and Electrical Department | |||
| Brian West | .... | camera operator | |
| Jimmy Turrell | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Arthur Newman | .... | wardrobe supervisor | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Other crew | |||
| Constance Willis | .... | continuity (as Connie Willis) | |
| Recent Posts (updated daily) | User |
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| Catholic throughout including doctrinal accuracy | jerilyn-1 |
| Filming Sequence | dukeford56 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Satan Never Sleeps is the final film by great director Leo McCarey, whose finest hour was probably the fondly-remembered Going My Way. This is almost a remake of Going My Way in many ways, but back in 1962 when the film was released it was savaged by critics who found it vulgar, cliche-ridden and boring. When I first saw the film in 1993, I was pleasantly surprised by it. The performances are good, the story maintains a reasonable level of interest, and it is shot colourfully. The film is certainly overlong and some of the characters are painted in too broad strokes, but apart from that the critics were unfairly unkind to the film.
Father O'Banion (William Holden) and Father Bovard (Clifton Webb) are a couple of Catholic priests running a remote mission post in China in 1949. O'Banion has recently befriended a young Chinese woman Siu Lan (France Nuyen), but she makes him feel uncomfortable by frequently flirting with him and hinting that she would like to share his bed. Communist forces move into the area and damage the priests' chapel. To add to their woes, Siu Lan is raped and impregnated, and the Communist forces order the public execution of all Christians in the region. Ultimately, they have to flee for safety, pursued by Communist soldiers.
The film was actually filmed in England and Wales, but only occasionally does the lack of authentic location lensing show. Holden gives a decent performance and Webb, though miscast, is entertaining to watch as his older companion. Nuyen strikes the right balance as the flirtatious native girl. The worst performance comes from Weaver Lee, as a Chinese communist colonel - his character is written as a caricature rather than a realistic person, and he just can't get across a convincing reading of the role. On the whole, Satan Never Sleeps is an engrossing, diverting way to pass a couple of hours - certainly not the mega bomb that the critics would have you believe.