| Chishû Ryû | ... | Shuhei Hirayama | |
| Shima Iwashita | ... | Michiko Hirayama | |
| Keiji Sada | ... | Koichi | |
| Mariko Okada | ... | Akiko | |
| Teruo Yoshida | ... | Yutaka Miura | |
| Noriko Maki | ... | Fusako Taguchi | |
| Shin'ichirô Mikami | ... | Kazuo | |
| Nobuo Nakamura | ... | Shuzo Kawai | |
| Eijirô Tôno | ... | Sakuma, The 'Gourd' | |
| Kuniko Miyake | ... | Nobuko | |
| Kyôko Kishida | ... | 'Kaoru' no Madame | |
| Michiyo Tamaki | ... | Tamako, gosai | |
| Ryûji Kita | ... | Shin Horie | |
| Toyo Takahashi | ... | 'Wakamatsu' no Okami | |
| Shinobu Asaji | ... | Youko Sasaki, hisho | |
| Masao Oda | ... | Dousousei Watanabe | |
| Fujio Suga | ... | Suikyaku A | |
| Yoshikazu Inagawa | |||
| Matsuko Shiga | |||
| Hisayo Komachi | |||
| Tami Yamamoto | |||
| Kentaro Imai | |||
| Daisuke Katô | ... | Yoshitaro Sakamoto | |
| Haruko Sugimura | ... | Tomoko | |
| Tsûsai Sugawara | ... | Dousousei Sugai (special appearance) | |
| Yasuo Ogata | ... | Dousousei Ogata (special appearance) |
Directed by | |||
| Yasujirô Ozu | |||
Writing credits | ||
| Kôgo Noda | (screenplay) & | |
| Yasujirô Ozu | (screenplay) | |
Produced by | |||
| Shizuo Yamanouchi | .... | producer | |
Original Music by | |||
| Kojun Saitô | |||
Cinematography by | |||
| Yûharu Atsuta | |||
Film Editing by | |||
| Yoshiyasu Hamamura | |||
Production Design by | |||
| Tatsuo Hamada | |||
Art Direction by | |||
| Tatsuo Hamada | |||
| Shigeo Ogiwara | |||
Costume Design by | |||
| Yuuji Nagashima | |||
Second Unit Director or Assistant Director | |||
| Kouzou Tashiro | .... | assistant director | |
Art Department | |||
| Osamu Ishii | .... | set dresser | |
| Shigeo Ogiwara | .... | assistant art director | |
| Toshio Takahashi | .... | set designer | |
Sound Department | |||
| Yoshiomi Hori | .... | assistant sound | |
| Ichiro Ishii | .... | supervising sound editor | |
| Yoshisaburo Seno | .... | sound recordist | |
Camera and Electrical Department | |||
| Kenzô Ishiwata | .... | lighting technician | |
| Shouichi Motohashi | .... | lighting assistant | |
| Motoshige Oikawa | .... | assistant camera | |
Other crew | |||
| Minoru Konze | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
When I first saw this film it struck me as being a very unusual and odd little movie. The camera work was direct and straightforward, as if the director were composing a still life painting. With the passage of time I remembered this film not as a whole but as a series of vignettes, the sailor marching in the bar, the unrequited lovers waiting for a train on the platform, the father staring into his daughter's empty room. I have recently seen An Autumn Afternoon again, and was not disappointed. Each scene has an almost indescribable longing, an ephemeral quality that speaks to the beauty and sadness of everyday life. I love this film, it is a true work of art.