An Autumn Afternoon
(1962)
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An Autumn Afternoon
(1962)
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| Cast overview, first billed only: | |||
| Chishû Ryû | ... |
Shuhei Hirayama
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| Shima Iwashita | ... |
Michiko Hirayama
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Keiji Sada | ... |
Koichi
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Mariko Okada | ... |
Akiko
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Teruo Yoshida | ... |
Yutaka Miura
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Noriko Maki | ... |
Fusako Taguchi
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Shin'ichirô Mikami | ... |
Kazuo
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Nobuo Nakamura | ... |
Shuzo Kawai
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Eijirô Tôno | ... |
Sakuma, The 'Gourd'
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Kuniko Miyake | ... |
Nobuko
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| Kyôko Kishida | ... |
'Kaoru' no Madame
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Michiyo Tamaki | ... |
Tamako, gosai
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Ryûji Kita | ... |
Shin Horie
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Toyo Takahashi | ... |
'Wakamatsu' no Okami
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Shinobu Asaji | ... |
Youko Sasaki, hisho
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In the early 60's in Tokyo, the widower Hirayama is a former captain from the Japanese navy that works as a manager of a factory and lives with his twenty-four year-old daughter Michiko and his son Kazuo in his house. His older son Koichi is married with Akiko that are compulsive consumers and Akiko financially controls their expenses. Hirayama frequently meets his old friends Kawai and Professor Horie, who is married with a younger wife, to drink in a bar. When their school teacher Sakuma comes to a reunion of Hirayama with old school mates, they learn that the old man lives with his daughter that stayed single to take care of him. Michiko lives a happy life with her father and her brother, but Hirayama feels that it is time to let her go and tries to arrange a marriage for her. Written by Claudio Carvalho, Rio de Janeiro, Brazil
A sensitive film which observes a widower and his family as they navigate through their days and nights in post-WWII Japan, a place where etiquette and custom are still important and individuality counts for less than it does in the U.S.A. We witness a world where unmarried women are expected to take care of their partner-less fathers and brothers.
This film features excellent use of color, especially the placement of yellows and reds.
"An Autumn Afternoon" grows on you as you slowly, steadily work your way into the lives of Mr. Hirayama and his family; it's as if the camera were a guest gaining the acceptance of the major characters.
Will Mr. Hirayama come upon his own personal autumn afternoon - a state of philosophical clarity where he can discern things soberly and make a wise and compassionate decision?
A must-see for devotees of Japanese cinema, director Ozu, and those who love quiet, gentle films.