| Cast overview, first billed only: | |||
| Chishû Ryû | ... |
Shuhei Hirayama
|
|
| Shima Iwashita | ... |
Michiko Hirayama
|
|
|
|
Keiji Sada | ... |
Koichi
|
|
|
Mariko Okada | ... |
Akiko
|
|
|
Teruo Yoshida | ... |
Yutaka Miura
|
|
|
Noriko Maki | ... |
Fusako Taguchi
|
|
|
Shin'ichirô Mikami | ... |
Kazuo
|
| Nobuo Nakamura | ... |
Shuzo Kawai
|
|
|
|
Eijirô Tôno | ... |
Sakuma, The 'Gourd'
|
|
|
Kuniko Miyake | ... |
Nobuko
|
| Kyôko Kishida | ... |
'Kaoru' no Madame
|
|
|
|
Michiyo Tamaki | ... |
Tamako, gosai
|
|
|
Ryûji Kita | ... |
Shin Horie
|
|
|
Toyo Takahashi | ... |
'Wakamatsu' no Okami
|
|
|
Shinobu Asaji | ... |
Youko Sasaki, hisho
|
In the early 60's in Tokyo, the widower Hirayama is a former captain from the Japanese navy that works as a manager of a factory and lives with his twenty-four year-old daughter Michiko and his son Kazuo in his house. His older son Koichi is married with Akiko that are compulsive consumers and Akiko financially controls their expenses. Hirayama frequently meets his old friends Kawai and Professor Horie, who is married with a younger wife, to drink in a bar. When their school teacher Sakuma comes to a reunion of Hirayama with old school mates, they learn that the old man lives with his daughter that stayed single to take care of him. Michiko lives a happy life with her father and her brother, but Hirayama feels that it is time to let her go and tries to arrange a marriage for her. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Ozu's final film is his most visually beautiful, and among his most somber. Aside from "Tokyo Story," "Late Spring" and "A Story of Floating Weeds," this is my favorite Ozu film. There are several stories at work in this movie, but the primary involves a middle-aged father whose adult daughter is reluctant to marry. Long detached from her, the father realizes, only too late, that with her departure, goes the happiest chapter of his life. Ozu's style is extremely refined at this point, and "An Autumn Afternoon" shows the director at the height of his artistic prowess. As such, this movie is a terrific introduction to Ozu, and it is a rewarding farewell for fans. Visually speaking, this one is a stunner, and every frame of the movie is a stand-alone composition. Many of the Ozu stock company make appearances, including Chishu Ryu and Keiji Sada, as well as some new faces, such as Kyoko Kishida from "Woman in the Dunes." The story is a classic Ozu meditation on family, marriage, and nostalgia, and the ending is among his most remorseful. If you appreciate Ozu or are just curious about this quiet master, "An Autumn Afternoon" is a great choice. This film is a serene, graceful masterpiece.