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An Autumn Afternoon (1962)

Sanma no aji (original title)
Not Rated | | Drama | 1964 (USA)
An aging widower arranges a marriage for his only daughter.

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(screenplay), (screenplay)
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Stars: Tatsuo Saitô, Tomio Aoki, Mitsuko Yoshikawa
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Cast

Cast overview, first billed only:
...
Shuhei Hirayama
...
Michiko Hirayama
Keiji Sada ...
Koichi
Mariko Okada ...
Akiko
Teruo Yoshida ...
Yutaka Miura
Noriko Maki ...
Fusako Taguchi
Shin'ichirô Mikami ...
Kazuo
...
Shuzo Kawai
Eijirô Tôno ...
Sakuma, The 'Gourd'
Kuniko Miyake ...
Nobuko
...
'Kaoru' no Madame
Michiyo Tamaki ...
Tamako, gosai
Ryûji Kita ...
Shin Horie
Toyo Takahashi ...
'Wakamatsu' no Okami
Shinobu Asaji ...
Youko Sasaki, hisho
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Storyline

In the early 60's in Tokyo, the widower Hirayama is a former captain from the Japanese navy that works as a manager of a factory and lives with his twenty-four year-old daughter Michiko and his son Kazuo in his house. His older son Koichi is married with Akiko that are compulsive consumers and Akiko financially controls their expenses. Hirayama frequently meets his old friends Kawai and Professor Horie, who is married with a younger wife, to drink in a bar. When their school teacher Sakuma comes to a reunion of Hirayama with old school mates, they learn that the old man lives with his daughter that stayed single to take care of him. Michiko lives a happy life with her father and her brother, but Hirayama feels that it is time to let her go and tries to arrange a marriage for her. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

1964 (USA)  »

Also Known As:

An Autumn Afternoon  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Yasujirô Ozu: [Static Camera] There is not a single camera movement in the entire film, as in many Ozu's last films. See more »

Connections

Referenced in I Lived, But... (1983) See more »

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User Reviews

Ozu's most visually beautiful film - a masterpiece
10 September 2009 | by (United States) – See all my reviews

Ozu's final film is his most visually beautiful, and among his most somber. Aside from "Tokyo Story," "Late Spring" and "A Story of Floating Weeds," this is my favorite Ozu film. There are several stories at work in this movie, but the primary involves a middle-aged father whose adult daughter is reluctant to marry. Long detached from her, the father realizes, only too late, that with her departure, goes the happiest chapter of his life. Ozu's style is extremely refined at this point, and "An Autumn Afternoon" shows the director at the height of his artistic prowess. As such, this movie is a terrific introduction to Ozu, and it is a rewarding farewell for fans. Visually speaking, this one is a stunner, and every frame of the movie is a stand-alone composition. Many of the Ozu stock company make appearances, including Chishu Ryu and Keiji Sada, as well as some new faces, such as Kyoko Kishida from "Woman in the Dunes." The story is a classic Ozu meditation on family, marriage, and nostalgia, and the ending is among his most remorseful. If you appreciate Ozu or are just curious about this quiet master, "An Autumn Afternoon" is a great choice. This film is a serene, graceful masterpiece.


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