| Photos (See all 21 | slideshow) |
| Toshirô Mifune | ... | Sanjûrô Tsubaki / The Samurai | |
| Tatsuya Nakadai | ... | Hanbei Muroto | |
| Keiju Kobayashi | ... | The Spy | |
| Yûzô Kayama | ... | Iori Izaka | |
| Reiko Dan | ... | Chidori, Mutsuta's daughter | |
| Takashi Shimura | ... | Kurofuji | |
| Kamatari Fujiwara | ... | Takebayashi | |
| Takako Irie | ... | Mutsuta's wife | |
| Masao Shimizu | ... | Kikui | |
| Yûnosuke Itô | ... | Mutsuta, the Chamberlain | |
| Akira Kubo | ... | Samurai | |
| Hiroshi Tachikawa | ... | Samurai | |
| Yoshio Tsuchiya | ... | Samurai | |
| Kunie Tanaka | ... | Samurai | |
| Tatsuyoshi Ehara | ... | Samurai | |
| Akihiko Hirata | ... | Samurai | |
| Toranosuke Ogawa | |||
| Sachio Sakai | |||
| Kenzô Matsui | ... | Samurai | |
| Toshiko Higuchi | |||
| Tatsuhiko Namisato | ... | Samurai | |
| Yutaka Sada | ... | Murota samurai | |
| Shin Ôtomo | |||
| Shôichi Hirose | |||
| Minoru Itô | |||
| Kôji Uruki | |||
| Hiroyoshi Yamaguchi | |||
| Fuminori Ôhashi |
Directed by | |||
| Akira Kurosawa | |||
Writing credits | ||
| Ryûzô Kikushima | (screenplay) & | |
| Hideo Oguni | (screenplay) & | |
| Akira Kurosawa | (screenplay) | |
| Shûgorô Yamamoto | (novel "Nichinichi heian") | |
Produced by | |||
| Ryûzô Kikushima | .... | producer | |
| Tomoyuki Tanaka | .... | producer | |
Original Music by | |||
| Masaru Satô | |||
Cinematography by | |||
| Fukuzo Koizumi | |||
| Takao Saitô | |||
Production Design by | |||
| Yoshirô Muraki | |||
Sound Department | |||
| Wataru Konuma | .... | sound recordist | |
| Hisashi Shimonaga | .... | sound recordist | |
Camera and Electrical Department | |||
| Ichirô Inohara | .... | lighting technician | |
| Katsuhiro Kato | .... | assistant camera | |
Other crew | |||
| Ryû Kuze | .... | fencing advisor | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
Sanuro, the sequel (or prequel, more likely a sequel though) to Akira Kurosawa's 1961 classic Yojimbo, brings us Toshiro Mifune to one of his most memorable characters, as he helps out (begrudgingly but, for the audience, funny way of help) with a group of would-be samurai trying to fight a corrupt man trying to gain power. With this film, Kurosawa delivers if not more than the same amount of violence (with one of his finest scenes of which towards the very end), and Mifune along with co-stars are believable and make for an entertaining ride. For those who are not familiar with Kurosawa and look to start, this and Yojimbo are the best starting points. But to say that it is not one of Kurosawa's very best is not entirely a dis-service to him. One flaw for me was that the story was not very clear on the first viewing, or at least as clear as what I'm used to from him (then again, the samurai genre is one I've only started to dig into). But a second viewing brought it clearer, and was even more suspenseful and amusing. That it is not as satirical (or perhaps it is) than what I had heard is not a minus however. The best that can be said that it is highly watchable, and could grow on those looking for a samurai film with more based on character than on immediate, flowing blood-shed and carnage. The least that can be said is that it does not compromise artistry and thoughtfulness for mediocrity. Grade: A