The story follows two greedy peasants in feudal Japan, Tahei and Matashichi, who are returning home from a failed attempt to profit from a war between neighboring clans. En Route they ... See full summary »
In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
A group of idealistic young men, determined to clean up the corruption in their town, are aided by a scruffy, cynical samurai who does not at all fit their concept of a noble warrior. Written by
Jim Beaver <email@example.com>
This movie was originally going to be a faithful adaption of a Shûgorô Yamamoto novel called "Peaceful Days", and was going to be made before Yojimbo (1961), which is about a group of nine samurai who are helped out by two ronin who are inadequate fighters and have to use their wits to trick two evil opposing sides into disposing of each other. The antagonists were changed to a corrupt government body and the tricking two opposing sides into fighting each over element was used for "Yojimbo". After that film was a success, Toho requested that Akira Kurosawa produce a sequel. He changed the two weak ronin to the powerful Sanjuro character and rewrote the script to match the tone of "Yojimbo". In addition, when this was going to be "Peaceful Days", Kurosawa was only going to write it and Hiromichi Horikawa (his assistant director) was going to direct it and Furankî Sakai and Keiju Kobayashi were to play the two ronin. See more »
Akira Kurosawa is probably the best Director in the entire History of film-making. He has not been that prolific given the amount of time he has spent making films, but many of these have subsequently been remade - Seven Samurai became the magnificent seven. Yoijimbo (the prequel to this one) became A fistful of dollars - and more recently last man standing. The hidden Fortress became Star Wars. Sanjuro marked the return of Toshiro Mifune as the Sardonic Ronin from Yoijimbo. Yet again, the photography is excellent - the period costumes and buildings beautiful to look at even in black and white. From one of the first scenes, in the grounds outside the Shrine, Mifune shows a 500% improvement in the art of Kenjutso - he must have been practicing night and day! But it is the character of Sanjuro itself that makes the film so absorbing. He is on the surface, a dirty, disrespectful abrasive man - but his deeds portray him as a hero - someone who once was a shining example of a Samurai and despite being put through the ringer still holds to a deeply rooted code of honor. When this shows however, he is most anxious to cover it up again..... The film involves a power struggle within a small city in Japan between the old faction and the new power-hungry one. It deals with false perceptions and truth. Two of the tenets that are at the heart of Kurosawa's films. This is a Gem - rent it - if you can, Buy it!
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