8.2/10
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Sanjuro (1962)

Tsubaki Sanjûrô (original title)
Unrated | | Action, Crime, Drama | 7 May 1963 (USA)
A crafty samurai helps a young man and his fellow clansmen save his uncle, who has been framed and imprisoned by a corrupt superintendent.

Director:

Writers:

(screenplay), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
Hanbei Muroto
Keiju Kobayashi ...
The Spy
Yûzô Kayama ...
Iori Izaka
Reiko Dan ...
Chidori, Mutsuta's daughter
...
Kurofuji
...
Takebayashi
Takako Irie ...
Mutsuta's wife
Masao Shimizu ...
Kikui
Yûnosuke Itô ...
Mutsuta, the Chamberlain
Akira Kubo ...
Samurai
Hiroshi Tachikawa ...
Samurai
Yoshio Tsuchiya ...
Samurai
...
Samurai
Tatsuyoshi Ehara ...
Samurai
Edit

Storyline

A group of idealistic young men, determined to clean up the corruption in their town, are aided by a scruffy, cynical samurai who does not at all fit their concept of a noble warrior. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Plot Keywords:

uncle | corruption | samurai | clan | japan | See All (57) »

Taglines:

Akira Kurosawa's Powerful and Newest Japanese Masterpiece


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 May 1963 (USA)  »

Also Known As:

Sanjuro  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

For the first time, Akira Kurosawa himself appeared in the trailer for one of his films, showing him in a scene on set rehearsing with the cast. See more »

Quotes

[repeated line]
Sanjûrô Tsubaki: Wait...
See more »

Connections

Follows Yojimbo (1961) See more »

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User Reviews

The master in a lighter mode
21 September 2000 | by (Los Angeles) – See all my reviews

Sanjuro is not one of Kurosawa's great films, but it shows him relaxed and having fun, deconstructing the jidai-geki (samurai film) genre with tongue firmly in cheek.

The film lacks the meticulous visual style of Yojimbo, but it is very well photographed, with some extremely fluid cinematography and those effortlessly artful group compositions that only Kurosawa seems to be able to do. The plot is a little exposition-heavy, but it's always swift-moving and never comes close to taking itself seriously.

Watching Toshiro slice apart all those enemies in the various battle scenes with nary a bloodstain in sight, I did find myself wishing the folks at Toho had sprung for a few squibs. But all is set right in the brilliant final swordfight, which is worth the price of admission.


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