Tsubaki Sanjûrô (1962)

User Rating:

8.0/10   

Director:

Akira Kurosawa

Writers:

Ryuzo Kikushima (writer)
Akira Kurosawa (writer)

Release Date:

7 May 1963 (USA)

Genre:

Action | Adventure | Comedy | Drama

Plot:

A crafty samurai helps a young man and his fellow clansmen save his uncle, who has been framed and imprisoned by a corrupt superintendent.

Plot Keywords:

Uncle | Corruption | Samurai | Rescue | Ronin

Awards:

1 win

Cast

Toshirô Mifune	...	Sanjûrô Tsubaki / The Samurai
Tatsuya Nakadai	...	Hanbei Muroto
Keiju Kobayashi	...	The Spy
Yuzo Kayama	...	Iori Izaka
Reiko Dan	...	Chidori, Mutsuta's daughter
Akihiko Hirata	...	Samurai
Takashi Shimura	...	Kurofuji
Kamatari Fujiwara	...	Takebayashi
Takako Irie	...	Mutsuta's wife
Masao Shimizu	...	Kikui
Yûnosuke Itô	...	Mutsuta, the Chamberlain
Akira Kubo	...	Samurai
Kenzo Matsui	...	Samurai
Hiroshi Tachikawa	...	Samurai
Yoshio Tsuchiya	...	Samurai

Also Known As:

Sanjuro (USA)

Runtime:

96 min

Country:

Japan

Language:

Japanese

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Perspecta Sound encoding) (Westrex Recording System)

Certification:

Singapore:PG | Australia:PG | Finland:K-12 | Sweden:15 | Switzerland:12 | UK:12 | UK:PG (re-rating) (2002) | UK:A (original rating) | West Germany:12 | USA:PG-13

Company:

Kurosawa Production Co.

Trivia:

For the "explosion of blood" in the final duel, chocolate syrup was mixed with carbonated water and put under 30 pounds of pressure.

Goofs:

Revealing mistakes: When the Chamberlain's nephew goes to peek over the wall to check if Kikui's house is full of troops, he supports himself on the wall which bends slightly, belying its supposed sturdiness.

Quotes:

Mutsuta's wife: You're too sharp. That's your trouble. You're like a drawn sword. Sharp, naked without a sheath. You cut well. But good swords are kept in their sheaths.

Movie Connections:

Version of Kiru (1968)

One of Kurosawa's most polished movies

Tsubaki Sanjuro is, unfortunately, not so widely seen abroad (= outside Japan) as Yojinbo, probably because it was not copied as a western. In Japan, however, Tsubaki Sanjuro is not less popular than Yojinbo. Not a few Japanese actually prefer the former to the latter, and it's easy to see why: It is stylistically more polished and smarter than Yojimbo and Mifune is 'cooler' as well - he shows a brilliant leadership and every Mifune fan would be really delighted to see how his young, naive disciples run after him like chicks following the mother duck.

And while Yojinbo's female main character, Orin, is an evil and crafty woman, Lady Mutsuta in Tsubaki Sanjuro is 'irritatingly light-hearted'. But she has a deep insight into Sanjuro's personality and understands him far better than his male disciples. An excellent character, and, in fact, she is the only person in Tsubaki Sanjuro AND Yojinbo to whom Sanjuro/Mifune speaks in a polite form (in Japanese).

Tsubaki Sanjuro is, so to speak, a 'concentrate' of Kurosawa's cinematography and one sees in it every aspect of his greatness in a very compact form. Therefore no one could remake this movie.