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Sahib Bibi Aur Ghulam (1962)

7.9
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Ratings: 7.9/10 from 727 users  
Reviews: 12 user | 9 critic

A lowly servant, Bhootnath gets close to the wife of his employer, and narrates her story through his eyes and perspective.

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(dialogue), (novel)
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Title: Sahib Bibi Aur Ghulam (1962)

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Cast

Cast overview, first billed only:
...
Chhoti Bahu
Guru Dutt ...
Atulya Chakraborty 'Bhootnath'
Rehman ...
Chhote Sarkar
...
Jaba
Nasir Hussain ...
Suvinoy Babu (Jaba's father) (as Nazir Husein)
Dhumal ...
Bansi
D.K. Sapru ...
Chaudhary (Majhle Sarkar) (as Sapru)
Harindranath Chattopadhyay ...
Ghari Babu (as Haren Chatopadhyay)
Pratima Devi ...
Badi Bahu
Ranjit Kumari
S.N. Banerjee ...
Tanga Driver without a turban (as S.N. Bannerji)
Krishan Dhawan ...
Master Babu (as Kishen Dhawan)
Jawahar Kaul
Vikram Kapoor ...
(as Bikram Kapoor)
Mukund Banerjee ...
(as Mukund Bannerji)
Edit

Storyline

A Zamindar neglects his wife and prefers the company of alcohol and dancing girls. The decadence of the Bangali Zamindar milieu and the raising bourgeoisie in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, and fascinated by the lady of the house... Written by Dirk Muysers <dirk.muysers@cginn.cgs.fr>

Plot Summary | Add Synopsis

Plot Keywords:

alcohol | mistress | whip | invalid | illness | See more »

Genres:

Drama | Musical

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Details

Country:

Language:

|

Release Date:

June 1963 (West Germany)  »

Also Known As:

King, Queen and Slave  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Did You Know?

Trivia

When Guru Dutt's Sahib Bibi Aur Ghulam was submitted for the Oscars, the academy wrote a letter to Guru Dutt saying a woman who drinks was not a permissible taboo in their culture. See more »

Soundtracks

Meri Baat Rahi Mere Man Mein
Sung by Asha Bhosle
Music composed by Hemanta Mukherjee
Lyrics by Shakeel Badayuni
See more »

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User Reviews

India's greatest indeed
3 July 2003 | by (Bombay (Mumbai) India) – See all my reviews

I couldnt agree more with those who describe SB&G as the greatest classic in Indian cinema, followed by "Sholay". While the latter is the quintessential Bollywood blockbuster, SB&G is a mainstream film of another kind --- expertly-crafted, aesthetically breathtaking and profoundly disturbing. Its also a film WAY ahead of its time (was a `flop' at the box-office!) and caused much controversy when it was premiered. It is based on a great Bengali novel, one that exposed the hypocrisy and decadence prevalent in the Zamindari (landed gentry). The film ran into terrible problems with our puritanical censors, because of its sometimes unabashed references to alcoholism and sex. Nominally directed by Abrar Alvi (they say Guru Dutt shadow-directed it....and it shows!) and luminously photographed in B/W, the film has immaculate attention to detail in EVERY respect, starting from the trenchant plot-line and script. Of course there are compromises made to accomodate market-needs, such as a couple of superfluous songs; and some farcical comedy. But if ever there was a case for releasing a "director's cut", lovingly restored, its here. God knows what the censor's scissors threw away. Meena Kumari's performance is the finest given by an actress in Indian cinema....and I will go on to say that its the finest performance given by an actress that I have EVER seen (a close second is Meryl Streep in "Sophie's Choice"). Meena Kumari acts with her FEET --- thats the first we see of her, with her dialogue spoken as a voice-over; then a cut to her incredible face, the eyes betraying a glitter of obsessive-compulsion that is the character's core. Its a performance that stirs you like few will, courageous and uninhibited, honest and intense. Its centre-piece is of course the drunken tirade against her husband, accusing him of impotence. In this, as indeed in every scene, she goes beyond acting into a realm that exists only in the gut. Another great Indian film that is not available on DVD, at least not in our own country. When will we learn to honour our best?


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