Her youth has been spent working for a farm family, being raped by father and son, marrying the son who has now left her a happy widow. She is happy because World War I is over and she is ... See full summary »
French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
1) Jerôme Chambard, a retired man, taken in by nuns in a convent, swears like a trooper. 2) Françoise takes a lover because he has promised her a diamond necklace. 3) Denis, a seminarist, ... See full summary »
After serving together in the French Foreign Legion, a mercenary and a doctor leave the service and go their separate ways. Later, they are reunited by a coincidence. The doctor has made a ... See full summary »
Two adventurers and best friends, Roland and Manu, are the victims of a practical joke that costs Manu his pilot's license. With seeming contrition, the jokesters tell Roland and Manu about... See full summary »
After his last contract, the hitman Martin "Christian" Terrier tells his only friend Michel that he will retire; however Michel advises that the Organization will never let him go. ... See full summary »
1961. Thomas Vlassenroot deserted the French Foreign Legion while fighting in Algeria. His lieutenant, Fraser, initiated the desertion for the two of them, Fraser believing he could do more... See full summary »
'Die Rote', is adapted from a novel by Alfred Andersch. Ruth Leuwerik is the carrot-topped protagonist, at wit's end over her disappointing marriage and disillusioning secondary romance. She drops both husband and lover to head to Venice, hoping there to land a job and to enjoy a more fulfilling life. Each person with whom Leuwerik comes in contact is also running away from himself or herself; so much for Venice. After being victimized by deceivers and exploited by self-absorbed martyrs, Leuwerik wearily returns home.
Well-intended but somewhat muddled picture that sealed Ruth Leuwerik's fate as box-office cyanide after a string of monumental flops. Her performance is very subtle, giving the over-complicated story its little coherence.
Kaeutner, who just vowed critics and public alike with the superb adaption of 'Ein Glass Wasser' with Gustav Gruendgrens, Hilde Krahl and an overwhelming Liselotte (Lilo) Pulver in the leads, is ill-at-ease with this very talky weltschmerz material.
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