During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
Aging ex-marshal Steve Judd is hired by a bank to transport a gold shipment through dangerous territory. He hires an old partner, Gil Westrum, and his young protege Heck to assist him. Steve doesn't know, however, that Gil and Heck plan to steal the gold, with or without Steve's help. On the trail, the three get involved in a young woman's desire to escape first from her father, then from her fiance and his dangerously psychotic brothers. Written by
James Meek <email@example.com>
To emphasize the enmity between the Hammond brothers and the lawmen, Sam Peckinpah kept all the actors playing the mining family away from the others, having them eat by themselves and do everything as a unit. He would continually remind them, "You hate everybody here!" See more »
There are a number of indications that this film is set no later than the late 1890s or early 1900s - for example, the date of Elsa's mother death on her tombstone and the open automobile (characteristic of early twentieth century models). The heavily-worn dime that Judd (Joel McCrea) bets in the booth run by Westrum (Randolph Scott) in the opening scenes, however, is a "Mercury" (Winged Liberty) dime, first coined in 1916. The dime shown, moreover, could not have become so worn without several more years in circulation. See more »
Don't worry boy. The Lord's bounty may not be for sale but the Devils' is... if you can pay the price.
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Revisonist splendour as Peckinpah starts his thematic obsession.
"All I want is to Enter My House Justified"
Sam Peckinpah's second feature film is today standing up as a must see and must own for those interested in the Western genre.
The film sees ageing lawman Steve Judd land a job of escorting a gold shipment safely to a bank in Hornitos. After running into old friend, and fellow aged lawman Gil Westrun, he hires both he and his young sparky sidekick Heck Longtree to hopefully see the job through to a successful conclusion. Yet Gil has other ideas, for where Steve is upstanding and adhering to the values he has lived his life by, Gil sees this as one last chance to actually get a big payday. The journey takes a further twist as the three men meet and then save Elsa Knudsen from a brutal marriage, it's an incident that puts them all on a collision course with the Hammond brothers.
What we have here is Sam Peckinpah's first film dealing with men who have outlived their time. We witness some emotionally poignant stuff as the two main protagonists know that they have aged beyond their world, yet as alike as they are, they have different ideals in how to deal with the advent of time. The masterstroke here is the casting of genre legends Joel McRea & Randolph Scott as Steve & Gil respectively. It's evident from the off that both men are identifying with their characters, with both men hitting top emotional form to fully realise the thematic heart of the story. Mariette Hartley makes her film debut as Elsa, and she fits in nicely with the quality on show behind and in front of the camera. Lucien Ballard's cinematography is gorgeous as the various California locations envelope the protagonists in a sort of elegiac way, and Peckinpah directs with his heart as well as his head.
Bookended by two heart-achingly super sequences, of which the finale has rightly passed into Western genre legend, this really is a strong and beautiful film. One that shows a truly great director was at work. For here he was left alone, and the final result is a quality Western beating far more than just a cowboy heart. The supporting cast is strong, notably Edgar Buchanan, L.Q. Jones & John Anderson. While the undervalued George Bassman provides a fittingly tonal music score. If there is a criticism, it's that Peckinpah doesn't let the younger characters breath, but given the film's core focus on aged men in an aged passing era: well it's easily forgiven. A precursor to The Wild Bunch for sure, but while the theme is the same for both film's, this one impacts in a very different way. Highly recommended, not just for the Oater crowd, but for fans of classic cinema too. 9/10
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