After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two ... See full summary »
A young man (Cruise) leaves Ireland with his landlord's daughter (Kidman) after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When ... See full summary »
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
Aging ex-marshal Steve Judd is hired by a bank to transport a gold shipment through dangerous territory. He hires an old partner, Gil Westrum, and his young protege Heck to assist him. Steve doesn't know, however, that Gil and Heck plan to steal the gold, with or without Steve's help. On the trail, the three get involved in a young woman's desire to escape first from her father, then from her fiance and his dangerously psychotic brothers. Written by
James Meek <email@example.com>
According to David Weddle's book on Peckinpah, "If They Move, Kill 'Em!', four days into shooting, a snowstorm on the original Inyo National Forest location forced the entire cast and crew back to Los Angeles to resume shooting the film in the Santa Monica Mountains, which resulted in the soapsuds substitution for real Sierra Nevada snow in the scenes at the Coarsegold mining camp. The substitution not surprisingly irritated Peckinpah immensely, but he pressed on. Despite these problems, the film finished a mere four days over schedule, and only $52,000 over budget. See more »
When Elsa is cleaning the barn, she has two shadows even though it's daylight and no lanterns in the barn are lit. See more »
Sam Peckinpah's first realized film and arguably still his best.
How the AFI missed this as one the Top 100 Movies, I'll never know. In a film career of peaks and valleys, I think this is STILL Peckinpah's best work. It contains all of the themes from the Wild Bunch, Cable Hogue and Junior Bonner, and while it does not possess the depth or complexity of the Wild Bunch, in some ways it works even better. Every character rings true, the photography is superb, and the writing matches that. Just a great, great film, and without the violence, and sometime- bitterness associated with Peckinpah's works. It is Randolph Scott's last film, and Mariette Hartley's first. He is riveting, and she is charming.
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