Mountain Rivera, a punchy has-been managed by the unprincipled Maish, is mauled in a fight and forced to quit boxing. Can his devoted cutman and a sympathetic social worker help him find a ... See full summary »
The Hollander family's European vacation is interrupted when their plane is forced to land in Vulgaria. The Hollanders leave the plane to take pictures which results in accusations of ... See full summary »
Joan Fisk, daughter of the American ambassador to France, is bored with entertaining the wives of visiting V.I.P.s and decides to conduct an experiment. She accepts a date with an American ... See full summary »
Olivia de Havilland,
Andy (Pat Boone) is an arrogant pop singer about to be divorced by his wife (Barbara Eden) who treas his staff badly. On the same night he starts a job at a theater in Los Angeles his ... See full summary »
Chief Sitting Bull of the Sioux tribe is forced by the Indian-hating General Custer to react with violence, resulting in the famous Last Stand at Little Bighorn. Parrish, a friend to the ... See full summary »
J. Carrol Naish
Stranded, penniless in a small Wyoming town, Maisie Ravier flirts with Slim, the manager of Clifford Ames' ranch. Disgusted by Maisie's flirtation, Slim orders her to leave town. Maisie ... See full summary »
Mountain Rivera, a punchy has-been managed by the unprincipled Maish, is mauled in a fight and forced to quit boxing. Can his devoted cutman and a sympathetic social worker help him find a life outside the ring, or will Maish find a way to exploit him one more time? Written by
When CBS acquired "Requiem" for TV broadcast, the film ran 87 minutes. The network wanted to expand it to 100 minutes to fill a two hour time slot. It took deleted odds and ends including a restaurant scene with Rooney, Quinn, and Gleason that lasted seven minutes. Director Ralph Nelson was so upset that he demanded that his name be removed from the credits. The owner of the film, Columbia Pictures, insisted it stay in, but even with the new cobbled together version, the film still ran short. See more »
Take a good look in the mirror and then say goodbye to what you see.
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Stunning & Fantastic Portrayal of the Seedy Aspects of Pugilism!
Jackie Gleason is in his element as promoter/manager/trainer of a broken down end-of-the-road boxer "Mountain Rivera" played brilliantly by Anthony Quinn. After 17 punishing years getting battered in the Ring "The Mountain" sports the scars, brain paralysis and the "shot" hoarse voice of an ex-fighter who is played to the hilt by Quinn. Mickey Rooney as "Mountain's" trainer is also sensational in his role. The whole cast in this film is simply fantastic. The writing of Rod Serling (of "Twilight Zone" fame) is masterful to say the least. Julie Harris who tries to provide hope for Rivera's future is beautifully and "tenderly" rendered on screen. The sleazy nature of the boxing business in the seedy surroundings of the cockroach infested hotel rooms is starkly defined in this black and white celluloid. There is a scene with Mickey Rooney and Jackie Gleason playing cards reminiscent of "The Honeymooners" with Art Carney when Gleason explodes in exasperation at Rooney who delays playing his hand at "gin" rummy. This is a taut and brilliantly portrayed film that everyone should see. Muhammed Ali (as Cassius Clay) is hauntingly shot at the beginning of the film. Jack Dempsey, the former heavyweight champ, is also shown at his restaurant in New York. The corruption and fear in this business is tellingly displayed. In fact this is a "must see" and "must own" kind of film. A Knock Out! As an aside, Jackie Gleason was so great on film partly because of his experience in live vaudeville shows. He grew up in abject poverty as a boy. This forced him out at an early age to make a living. The greatness came from hard times, talent and an insatiable work ethic. Thus the great talent of Jackie Gleason began to shine to the point of dethroning Milton Berle out of the top TV spot in 1954 as "The Honeymooners" stormed on screen. So many great talents from this era developed in the same way. Poverty and hard times had a way of producing talented star entertainers in the 30's and 40's. Perhaps this explains the lack of talent on screen today.
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