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Mountain Rivera, a punchy has-been managed by the unprincipled Maish, is mauled in a fight and forced to quit boxing. Can his devoted cutman and a sympathetic social worker help him find a life outside the ring, or will Maish find a way to exploit him one more time? Written by
Opening traveling shot of bar customers watching fight on TV was apparently filmed in mirror behind bar because all beer labels and signs in background read backwards. See more »
[after Grace slaps Maish]
Do you really want to help him? Here's how you can help him. Leave him alone. If you gotta' say anything to him, tell him you pity him. Tell him you feel so sorry for him you could cry. But don't con him. Don't tell him he could be a counsellor at a boys' camp. He's been chasing ghosts so long he'll believe anything. Any kind of a ghost. Championship belt, pretty girl... maybe just 24 hours without an ache in his body. Doesn't make any difference. It all passed him.
[...] See more »
A sad, heartbreaking, and somewhat disturbing story. Quinn is totally believable as Mountain Rivera, a boxer who, perhaps, has been in the game too long and finds himself forced out. While his world-weary cut man (Rooney) is protective of him to an extent, his manager (Gleason) only views Rivera as a paycheck. An unemployment agency staff person (Miller) sees something in Rivera that prompts him to go above and beyond the call of duty to help him get a job. All of the leads are extremely good. It appears that most of the film takes place in the dark, highlighting the seamy side of boxing. The only daytime scene is when Rivera visits the unemployment office, and even then, it appears that the place has no windows to see outside. The office is just as closed up and restricted as Rivera's limited choices after his career ends. The actress who portrayed the underworld figure that Rivera's manager has a connection to was appropriately evil and creepy. The very last scene, filled with a sense of finality and resignation, is powerful.
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