Mountain Rivera, a punchy has-been managed by the unprincipled Maish, is mauled in a fight and forced to quit boxing. Can his devoted cutman and a sympathetic social worker help him find a ...
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Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud who sank into alcoholism after accidentally killing his brother in a car crash.
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Mountain Rivera, a punchy has-been managed by the unprincipled Maish, is mauled in a fight and forced to quit boxing. Can his devoted cutman and a sympathetic social worker help him find a life outside the ring, or will Maish find a way to exploit him one more time? Written by
When CBS acquired "Requiem" for TV broadcast, the film ran 87 minutes. The network wanted to expand it to 100 minutes to fill a two hour time slot. It took deleted odds and ends including a restaurant scene with Rooney, Quinn, and Gleason that lasted seven minutes. Director Ralph Nelson was so upset that he demanded that his name be removed from the credits. The owner of the film, Columbia Pictures, insisted it stay in, but even with the new cobbled together version, the film still ran short. See more »
A sad, heartbreaking, and somewhat disturbing story. Quinn is totally believable as Mountain Rivera, a boxer who, perhaps, has been in the game too long and finds himself forced out. While his world-weary cut man (Rooney) is protective of him to an extent, his manager (Gleason) only views Rivera as a paycheck. An unemployment agency staff person (Miller) sees something in Rivera that prompts him to go above and beyond the call of duty to help him get a job. All of the leads are extremely good. It appears that most of the film takes place in the dark, highlighting the seamy side of boxing. The only daytime scene is when Rivera visits the unemployment office, and even then, it appears that the place has no windows to see outside. The office is just as closed up and restricted as Rivera's limited choices after his career ends. The actress who portrayed the underworld figure that Rivera's manager has a connection to was appropriately evil and creepy. The very last scene, filled with a sense of finality and resignation, is powerful.
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