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Love on a Pillow (1962)
"Le repos du guerrier" (original title)

5.5
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Ratings: 5.5/10 from 271 users  
Reviews: 14 user | 12 critic

A young girl rescues a man from a suicide attempt. He turns out to be a sociopath, who begins to take over her life, abusing her both verbally and emotionally, yet she can't seem to tear herself away from him.

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Cast

Cast overview:
...
Geneviève Le Theil
Robert Hossein ...
Renaud Sarti
Jean-Marc Bory ...
Pierre Leroy
Michel Serrault ...
Varange
Jacqueline Porel ...
Mme. Le Theil, Geneviève's Mother
Jean-Marc Tennberg ...
Coco
Robert Dalban ...
Police Sergeant
Ursula Kubler ...
Nurse
Christian Melsen ...
Police Inspector
Macha Méril ...
Raphaële (as Macha Meril)
...
Katov, Sculptor
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Storyline

When the Parisian bourgeois Geneviève Le Theil travels to Dijon to resolve outstanding subjects in the inheritance left by her wealthy aunt, she mistakenly opens the door of another room in the hotel, finding a suicidal near death on the bed. Later Geneviève goes to the hospital and is introduced to Renaud Sarti, the nihilistic alcoholic vagrant she saved. Geneviève falls in love for Renaud and brings him to her apartment in Paris, initiating a destructive, masochistic and corrupt relationship with the abusive man. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

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IN GLAMOROUS COLOR

Genres:

Romance | Drama

Certificate:

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Details

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Language:

Release Date:

5 September 1962 (France)  »

Also Known As:

Love on a Pillow  »

Filming Locations:

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Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Sound System)

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Connections

Referenced in The Red Lanterns (1963) See more »

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User Reviews

 
Le repos du guerrier didn't resist to time
1 December 2008 | by (Brazil) – See all my reviews

This film had some charm by the time it was made. BB was in a great shape. The youth in occident were strongly influenced by a fashion based on a vulgar reading of existentialist philosophy. The first time I saw this film, during the sixties, I was 17 or 18, and a kind of a "rebel without a cause", fond of existentialist literature. So the film impressed me.

Today, seeing the film again, I found it almost stupid. I explain.

1. The revolt of Renaud is not explained in a context, so we don't know exactly why he is bitter, cynic, self destructive and iconoclast.

2. The author of the story tries to glamorize Renaud revolt, but, what I see can't be glamorized. For instance, Renaud wears the same unwashed clothes during several weeks (which seems to be the time the story lasts) doesn't take a bath and doens't shave his beard. He smokes all the time and drinks heavily since the time he wakes up. So, his clothes and his breath certainly stink disgustingly. He messes seriously Geneviève's apartment spreading all around dirty dishes and ash trays stuffed with smoked cigarettes. All this mess and dirtiness for nothing... or to punish unjustly Geneviève?

3. Geneviève looks rather as stupid blonde female because she falls in love with a stinking revolted pseudo-existentialist who does't do anything useful to anyone and criticize hardly the middle class life style, middle class of which he is actually a parasite.

The film deserves to be seen because of the presence of BB. She was marvelous by that time and a real icon of a generation. A queen of many dreamers as me.


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